|
Wind from Nowhere |
Haein Kang |
Digital Arts, Installation, Mechatronic Art, New Media, Physical Computing, Sound Art |
|
night cloud |
Sangjun Yoo |
Computer Vision, Electronic Media, Immersive Media, Installation, Interactive Media, New Media, Perception and Cognition, Performance Studies |
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Illusion: You can hear, but you can't see |
Haein Kang |
Digital Arts, Installation, Mechatronic Art, New Media, Perception and Cognition, Physical Computing, Sensing, Sound Art |
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AI in Arcadia |
Eleanor Jones |
3D Video and Animation, Cybernetics, Digital Arts, Installation, Performance Studies, Site Specific Art, Video Art, Visual Arts |
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thepeopleprotest.com |
Riah Buchanan |
Data Visualization, Internet Art |
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The Secret Diaries of Miss Anne Lister: Arranged for Readers’ Chorus |
Breana Tavaglione |
Experimental Media, History, Performance Studies, Sound Art |
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Eating Myself |
Chanee Choi |
Digital Arts, Experimental Film/Cinema, Interactive Media, Media Arts, Performance Studies, Sound Art, Video Art, Visual Arts |
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silent forest |
Adam Hogan |
3D Audio, Ambisonics, Environmental Art, Experimental Film/Cinema, Immersive Media, New Media, Site Specific Art |
|
Fractal Antennae |
Afroditi Psarra |
Aesthetics, Algorithmic Processes, Art/Science, Digital Fabrication, Experimental Media, Physical Computing, Science and Technology, Sensing |
|
Habitat |
Esteban Agosin |
Biological Art, Electronic Media, Immersive Media, Installation, Interactive Media, Robotics |
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Encephalophone Ensemble at 9e2 Festival |
Thomas Deuel, Marcin Pączkowski |
Improvisation, Music, Neuroaesthetics |
|
Ligeia |
Ewa Trębacz |
3D Audio, Ambisonics, Composition, Computer Music, Electro-acoustic Music, Improvisation, Music |
|
ALL OF THESE THINGS ARE MEANT TO BE BROKEN |
Cameron Fraser |
Electro-acoustic Music, Music, Visual Arts |
|
roots |
Adam Hogan |
Environmental Art, Experimental Film/Cinema, Public Art, Site Specific Art |
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Cosmic Bitcasting |
Afroditi Psarra |
Art/Science, Digital Arts, Digital Fabrication, Experimental Media, Immersive Media, Physical Computing, Science and Technology, Sensing |
|
Two Women |
Ha Na Lee |
Algorithmic Processes, Electro-acoustic Music, Electronic Media, Experimental Film/Cinema, Experimental Media, Installation, New Media, Sound Synthesis |
|
Hemispheres |
Juan Pampin, Thomas Deuel, Eberhard Fetz |
Ambisonics, Cybernetics, Live Electronics, Neuroaesthetics, Sensing, Sound Art |
|
Indigo Mist (Phase II) |
Juan Pampin, Richard Karpen, Cuong Vu |
Composition, Improvisation, Live Electronics, Music, Sound Synthesis |
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Memoir II, virtual reality, 2016 |
|
3D Video and Animation, Digital Arts, Experimental Film/Cinema, Immersive Media, New Media, Video Art |
|
Lions Live Here |
Riah Buchanan |
Art/Science, Interactive Media, Internet Art, Systems |
|
Indigo Mist |
Juan Pampin, Richard Karpen |
Composition, Improvisation, Live Electronics, Music |
|
… that language is shaped air … |
Juan Pampin |
Composition, Improvisation, Mechatronic Art, Music, Robotics, Site Specific Art |
|
Those who observe the Wind... |
Joel Ong |
Art/Science, Cybernetics, Data Sonification, Digital Arts, Environmental Art, Science and Technology, Site Specific Art, Sound Art |
|
#home |
Joel Ong |
3D Scanning and Printing, Algorithmic Processes, Digital Arts, Digital Fabrication, Experimental Media, Internet Art, New Media, Systems |
|
A Line |
Juan Pampin |
3D Audio, Ambisonics, Composition, Computer Music, Electro-acoustic Music, Immersive Media |