
Biography
Richard Karpen (b. New York, 1957) is a composer and researcher in multiple areas of music and the arts. His compositions for both electronic media and live performance are widely known, recorded, and performed internationally. Since the early 1980s he has also been in the forefront of the development of computer applications for music composition, interactive performance, and the sonic arts. He is also active as pianist.
Karpen is a Professor of Digital Arts and Experimental Media (DXARTS) at the University of Washington in Seattle. Also at the UW he was founding Director of DXARTS in 2001, Director of the School of Music from 2009-2020, and Associate Dean for Research and Infrastructure in the College of Arts and Sciences (2006-2009). He has been the recipient of many awards, grants, and prizes, including those from the National Endowment for the Arts, the Bourges Contest in France, and the Luigi Russolo Foundation in Italy. Karpen has composed works for many leading international soloists, such as soprano Judith Bettina, violists Garth Knox and Melia Watras, trombonist Stuart Dempster, flutists Laura Chislett and Jos Zwaanenberg, guitarist Stefan Östersjö, and ensembles such as The Six Tones, JACK Quartet, The Seattle Symphony, and the Harry Partch Ensemble. Karpen is a founding member, with Cuong Vu, of the experimental improvisation ensemble Indigo Mist. As a pianist, Karpen has performed and recorded with Cuong Vu, Bill Frisell, Ted Poor, Steve Rodby, and others. Karpen's compositions and performances have been recorded on a variety of labels including Wergo, Centaur, Neuma, Le Chant du Monde, DIFFUSION i MeDIA, Fleur du Son, Capstone, and RareNoise.
Research
Selected Research
Research Advised
- All Coding is Always Transcoding, a week-long dynamic research Laboratory, Meany Studio Theater, Laura Luna Castillo, 2024
- if i keep recalling it, something had to change... for drums and electronics, 2022
- Remembrance: Magma, Chanee Choi, 2022
- a_voi(ce)_d, 2021
- Breana Tavaglione, The Woods Enclose, 2021.
- Breana Tavaglione, I Know My Own Heart: an Anne Lister Radio Play, 2021.
- Chanee Choi, Polaris, OXBOW Seattle WA, 2018-19
- Multi-audio channels installation
- Wind from Nowhere received an honorary mention in the sound art section of Prix Ars Electronica.
- Illusion: You can hear, but you can't see, Haein Kang, 2018
- silent forest, installation at Bradbury Art Museum, Adam Hogan, 2017
- Silicone Love - Her Finger, Chun Shao, Dec 2017
- Silicone Love - Intro, Chun Shao, May 2017
- prosthesis memoria for two performers and EEG by: Daniel Peterson and Adam Hogan, 2016
- Steilacoom, for computer realized ambisonic sound, Daniel Peterson, 2016
- Jarmick, Martin. Memoir II. Center for Digital Art & Experimental Media (DXARTS). 2016.
- a Box, a sound Installation, Haein Kang, 2015
- Container Study, 3D Sound Installation, Daniel Peterson, 2015
- I'll Make Myself A Memory, Martin Jarmick, 2015
- Searle's Room, speech and drawing system, Robert Twomey, 2013