DXARTS

Vestiges II

Interactive multimedia installation by Ha Na Lee

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$Hilbert curve wearable fractal antenna$

Fractal Antennae

by Afroditi Psarra

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Errai

Immersive Audiovisual Space, for horn, soprano, 3D electronic sound, stereoscopic video and live light animation, Ewa Trębacz

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Entanglement

Telematic sound installation by Juan Pampin, Eunsu Kang, Joel S. Kollin.

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Sanctum

Sanctum uses the persistent flow of people as input, extracting narratives from the demographics of passers-by and their movement. The flow of people is used as a physical analogue to the virtual inhabitants of social networks.

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News

Call for applicants: Assistant Professor in Data-Driven Arts Practice

The Department of Digital Arts and Experimental Media (DXARTS) at the University of Washington seeks to hire a full-time (100%, 9-month), tenure-... Learn more »

Voices and Voids: Reclaiming and Transcoding our Data as Performance at Adversarial Hacking in the Age of AI at Transmediale 2020

"Everyday Voices and Voids: Reclaiming and Transcoding our Data as Performance", the artistic research project currently developed by Afroditi... Learn more »

Voices and Voids: Reclaiming and Transcoding our Data as Performance was shortlisted at the Open Call No. 8 by Solitude & ZKM — Engineering Care

"Everyday Voices and Voids: Reclaiming and Transcoding our Data as Performance" the research project currently developed by Afroditi Psarra (DXARTS... Learn more »

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