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<abc_null> [net release] (2018) |
Afroditi Psarra, Bonnie Whiting, Cameron Fraser, Michael McCrea |
Electro-acoustic Music, Experimental Media, Improvisation, Live Electronics, Physical Computing, Sound Art |
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Eating Myself (2017) |
Chanhee Choi |
Digital Arts, Experimental Film/Cinema, Interactive Media, Media Arts, Performance Studies, Sound Art, Video Art, Visual Arts |
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silent forest (2017) |
Adam Hogan
Adviser: Richard Karpen, Adviser: Juan Pampin |
3D Audio, Ambisonics, Environmental Art, Experimental Film/Cinema, Immersive Media, New Media, Site Specific Art |
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ATK Reaper: The Ambisonic Toolkit as JSFX plugins (2016) |
Joseph Anderson |
3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Signal Processing, Electro-acoustic Music, Electronic Media |
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ATK Reaper: Una versión en Plugin JSFX del Ambisonic Toolkit (2016) |
Joseph Anderson |
3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Electronic Media |
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Percussion Cycle, Les Percussions de Strasbourg [CD] (2016) |
Juan Pampin, Joseph Anderson |
3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Spectral Modeling |
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ATK Reaper: The Ambisonic Toolkit as JSFX plugins (2014) |
Joseph Anderson |
3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Software |
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Ghostly presence: Notes on the composition of OID (2013) |
Juan Pampin |
Aesthetics, Composition, Electro-acoustic Music, Ethics, Live Electronics, Music |
![Animated Film Studio, Academy of Fine Arts in Kraków, 2013 [DVD]](https://dxarts.washington.edu/sites/dxarts/files/styles/small-square/public/images/animated_film_studio.jpg?itok=fESZC1xV&c=b11de9c867be72a50fb21a387b93f97d "Animated Film Studio, Academy of Fine Arts in Kraków, 2013 [DVD]") |
Interior Portrait, dir. Robert Sowa [DVD] (2013) |
Ewa Trębacz |
Electro-acoustic Music, Experimental Film/Cinema, Video Art, Visual Arts |
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Polish Music Today: Ewa Trębacz [CD] (2013) |
Ewa Trębacz, Joseph Anderson |
3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media |
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On Space [CD] (2012) |
Juan Pampin, Joseph Anderson |
3D Audio, Ambisonics, Composition, Digital Signal Processing, Electro-acoustic Music, Immersive Media, Sound Synthesis, Spectral Modeling |
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Depth Modulation: Composing Motion in Immersive Audiovisual Spaces. (2012) |
Ewa Trębacz |
3D Audio, 3D Video and Animation, Art/Science, Immersive Media, Perception and Cognition, Video Art, Visual Arts |
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Modulation des Raumes: auf der Suche nach der Sprache eines immersiven Mediums. (2011) |
Ewa Trębacz |
3D Audio, 3D Video and Animation, Ambisonics, Immersive Media |
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Pełna imersja: rzeczywistość czy utopia? [Full immersion: reality or utopia?] (2010) |
Ewa Trębacz |
3D Audio, 3D Video and Animation, Ambisonics, Immersive Media |
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Musica y espacio: Ciencia, tecnologia y estetica (2009) |
Juan Pampin |
Acoustics and Psychoacoustics, Aesthetics, Ambisonics, Composition, Computer Music, Digital Signal Processing |
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Errai [CD] (2009) |
Ewa Trębacz, Joseph Anderson |
Ambisonics, Composition, Electro-acoustic Music |
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Nada [CD] (2008) |
Juan Pampin, Melia Watras |
Composition, Digital Signal Processing, Live Electronics, Music, Sound Synthesis, Spectral Modeling |
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Sequence, dir. Robert Sowa [DVD] (2008) |
Ewa Trębacz |
Composition, Electro-acoustic Music, Experimental Film/Cinema, Video Art, Visual Arts |
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Applications of Ultrasonic Sound Beams in Performance and Sound Art (2007) |
Juan Pampin, Eunsu Kang |
Aesthetics, Digital Signal Processing, Installation, Interactive Media, Sound Art, Ultrasound |
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Metal Hurlant [CD] (2007) |
Juan Pampin |
Composition, Digital Signal Processing, Live Electronics, Music, Spectral Modeling |
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OID [CD] (2007) |
Juan Pampin |
Composition, Digital Signal Processing, Live Electronics, Music, Sound Synthesis, Video Art |
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Etica, Poetica, Politica: Apuntes sobre la composicion de OID (2007) |
Juan Pampin |
Aesthetics, Composition, Ethics, Live Electronics, Music, Video Art |
Pampin, Juan. "OID". Susana Kasakoff, Piano Ex Machina. BAU Records, 2007. CD.
Trębacz, Ewa. "Minotaur". Perf. Henryk Kaliński and Josiah Boothby. Sound Chronicle of the Warsaw Autumn 2005. Polmic, 2005. CD.
Pampin, Juan, Joel S. Kollin, and Eunsu Kang. "Applications of Ultrasonic Sound Beams in Performance and Sound Art". Proceedings of the joint 33rd International Computer Music Conference, Copenhagen, Denmark, (2007): 492-495. Print.
Adam Hogan, silent forest, Bradbury Art Museum, 2017
Trębacz, Ewa. "Pełna imersja: rzeczywistość czy utopia? Technologie przestrzenne z punktu widzenia artysty." ["Full immersion: reality or utopia? Artist's perspective on spatial technologies."] Glissando 16 (2010): 44-48. Print. Language: Polish.
"Sequence". Dir. Robert Sowa, photography Marcin Koszałka, music Ewa Trębacz. Action Animation - The Most Recent Films. National Audiovisual Institute NInA (Poland), 2008. DVD.
