Publications & Recordings

  • Naga is a electric metallophone instrument
    Naga by Cameron Perry Fraser - Fall 2017
  • Organised Sound 17.2 (2012)
    Trębacz, Ewa. "Depth Modulation: Composing Motion in Immersive Audiovisual Spaces". Organised Sound 17.2 (2012): 156-162. Print.
  • MusikTexte #136
    Pampin, Juan. "Ghostly presence: Notes on the composition of OID". MusikTexte 136 (February 2013). Print. Language: German. 
  • "Prosumer" Still #6 from Video - RM TNKRT
    RM-TNKRT "Prosumer" ASMR, Mukbang, glitched, music video
  • Melia Watras: Prestidigitation
    Pampin, Juan. "Nada". Melia Watras, Prestidigitation. Fleur De Son Classics, 2008. CD.
  • .
    Eating Myself, A performance video installation with a real-time performance, 2016

Ongoing

Image Short Title People Involved Related Fields
Iterations presented by DXARTS at The Chapel at the Good Shepherd Center in Seattle, Washington Lineage 1 (2019) Adviser: Afroditi Psarra Composition, Data Sonification, Electro-acoustic Music, Experimental Media, History, Music, Performance Studies, Sound Art
I AM NOT A ROBOT (2019) Rebby Montalvo Cybernetics, Digital Arts, Experimental Media, Installation, Interactive Media, Internet Art, Visual Arts
Naga is a electric metallophone instrument Naga (2017) Cameron Fraser Acoustics and Psychoacoustics, Composition, Electro-acoustic Music, Electronic Media, Improvisation, Music, Sound Art
Satellite transmission machine knitting Listening Space (Ongoing) Afroditi Psarra Art/Science, Digital Fabrication, Environmental Art, Experimental Media, Immersive Media, Perception and Cognition, Science and Technology, Sensing

In progress

Image Short Title People Involved Related Fields
Large String Array (2020) Cameron Fraser
Adviser: Juan Pampin, Adviser: Afroditi Psarra 		Acoustics and Psychoacoustics, Aural Architecture, Electro-acoustic Music, Environmental Art, Immersive Media, Installation, Mechatronic Art, Sound Art
Seattle Tape Player Array Seattle Tape Player Array (2018) Cameron Fraser Computer Music, Improvisation, Robotics, Sensing
CAD rendition of Nandi, an automated electromagnetic stringed instrument Electro-Steel (2018) Cameron Fraser Acoustics and Psychoacoustics, Electro-acoustic Music, Improvisation, Interactive Media, Live Electronics, Music, Robotics, Sound Art

Completed/published

Image Short Title People Involved Related Fields
Adam Bałdych, violin | Photo credit: WARSAW AUTUMN Metanoia (2020) Ewa Trębacz 3D Audio, Ambisonics, Composition, Computer Music, Electro-acoustic Music, Improvisation, Music
Lineage 1 Lineage 1 (2019) Breana Tavaglione
Adviser: Afroditi Psarra 		Data Sonification, Electro-acoustic Music, Experimental Media, History, Music, Performance Studies, Sound Art
The Internet Is - POEM The Internet Is (2019) Rebby Montalvo Data Visualization, Digital Arts, Internet Art, Music, New Media, Video Art, Visual Arts
"MindTraffic" (2019) Rebby Montalvo Cybernetics, Experimental Film/Cinema, Internet Art, Media Arts, Music, New Media, Video Art
"Prosumer" Still #1 from Video - RM TNKRT "Prosumer" (2019) Rebby Montalvo Cybernetics, Experimental Film/Cinema, Internet Art, Media Arts, Music, New Media, Video Art, Visual Arts
cover of the net release <abc_null> <abc_null> [net release] (2018) Afroditi Psarra, Bonnie Whiting, Cameron Fraser, Michael McCrea Electro-acoustic Music, Experimental Media, Improvisation, Live Electronics, Physical Computing, Sound Art
. Eating Myself (2017) Chanhee Choi Digital Arts, Experimental Film/Cinema, Interactive Media, Media Arts, Performance Studies, Sound Art, Video Art, Visual Arts
silent forest (installation view) silent forest (2017) Adam Hogan
Adviser: Richard Karpen, Adviser: Juan Pampin 		3D Audio, Ambisonics, Environmental Art, Experimental Film/Cinema, Immersive Media, New Media, Site Specific Art
ATK Reaper: The Ambisonic Toolkit as JSFX plugins (2016) Joseph Anderson 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Signal Processing, Electro-acoustic Music, Electronic Media
ATK Reaper: Una versión en Plugin JSFX del Ambisonic Toolkit (2016) Joseph Anderson 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Electronic Media
Juan Pampin, Percussion Cycle Percussion Cycle,  Les Percussions de Strasbourg [CD] (2016) Juan Pampin, Joseph Anderson 3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Spectral Modeling
ATK Reaper: The Ambisonic Toolkit as JSFX plugins (2014) Joseph Anderson 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Software
MusikTexte #136 Ghostly presence: Notes on the composition of OID (2013) Juan Pampin Aesthetics, Composition, Electro-acoustic Music, Ethics, Live Electronics, Music
Animated Film Studio, Academy of Fine Arts in Kraków, 2013 [DVD] Interior Portrait, dir. Robert Sowa [DVD] (2013) Ewa Trębacz Electro-acoustic Music, Experimental Film/Cinema, Video Art, Visual Arts
Portraits of Contemporary Polish Composers: Ewa Trębacz Polish Music Today: Ewa Trębacz [CD] (2013) Ewa Trębacz, Joseph Anderson 3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media
Les Percussions de Strasbourg 50th Anniversary CD Box On Space [CD] (2012) Juan Pampin, Joseph Anderson 3D Audio, Ambisonics, Composition, Digital Signal Processing, Electro-acoustic Music, Immersive Media, Sound Synthesis, Spectral Modeling
Organised Sound 17.2 (2012) Depth Modulation: Composing Motion in Immersive Audiovisual Spaces. (2012) Ewa Trębacz 3D Audio, 3D Video and Animation, Art/Science, Immersive Media, Perception and Cognition, Video Art, Visual Arts
Glissando 19 (2011) Modulation des Raumes: auf der Suche nach der Sprache eines immersiven Mediums. (2011) Ewa Trębacz 3D Audio, 3D Video and Animation, Ambisonics, Immersive Media

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