Publications & Recordings

  • Susana Kasakoff: Piano Ex Machina
    Pampin, Juan. "OID". Susana Kasakoff, Piano Ex Machina. BAU Records, 2007. CD.
  • Sound Chronicle of the Warsaw Autumn 2005
    Trębacz, Ewa. "Minotaur"Perf. Henryk Kaliński and Josiah Boothby. Sound Chronicle of the Warsaw Autumn 2005. Polmic, 2005. CD.
  • Applications of Ultrasonic Sound Beams in Performance and Sound Art
    Pampin, Juan, Joel S. Kollin, and Eunsu Kang. "Applications of Ultrasonic Sound Beams in Performance and Sound Art". Proceedings of the joint 33rd International Computer Music Conference, Copenhagen, Denmark, (2007): 492-495. Print.
  • silent forest (field documentation)
    Adam Hogan, silent forest, Bradbury Art Museum, 2017
  • Glissando 16 (2010)
    Trębacz, Ewa. "Pełna imersja: rzeczywistość czy utopia? Technologie przestrzenne z punktu widzenia artysty." ["Full immersion: reality or utopia? Artist's perspective on spatial technologies."] Glissando 16 (2010): 44-48. Print. Language: Polish.
  • Sequence, dir. Robert Sowa, photography Marcin Koszałka, music Ewa Trębacz | Animation still
    "Sequence". Dir. Robert Sowa, photography Marcin Koszałka, music Ewa Trębacz. Action Animation - The Most Recent Films. National Audiovisual Institute NInA (Poland), 2008. DVD.

Completed/published

Image Short Title People Involved Related Fields
cover of the net release <abc_null> <abc_null> [net release] (2018) Afroditi Psarra, Bonnie Whiting, Cameron Fraser, Michael McCrea Electro-acoustic Music, Experimental Media, Improvisation, Live Electronics, Physical Computing, Sound Art
EatingMyself Eating Myself (2017) Chanhee Choi Digital Arts, Experimental Film/Cinema, Interactive Media, Media Arts, Performance Studies, Sound Art, Video Art, Visual Arts
silent forest (installation view) silent forest (2017) Adam Hogan
Adviser: Richard Karpen, Adviser: Juan Pampin
3D Audio, Ambisonics, Environmental Art, Experimental Film/Cinema, Immersive Media, New Media, Site Specific Art
ATK Reaper: The Ambisonic Toolkit as JSFX plugins (2016) Joseph Anderson 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Signal Processing, Electro-acoustic Music, Electronic Media
ATK Reaper: Una versión en Plugin JSFX del Ambisonic Toolkit (2016) Joseph Anderson 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Electronic Media
Juan Pampin, Percussion Cycle Percussion Cycle,  Les Percussions de Strasbourg [CD] (2016) Juan Pampin, Joseph Anderson 3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Spectral Modeling
ATK Reaper: The Ambisonic Toolkit as JSFX plugins (2014) Joseph Anderson 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Software
MusikTexte #136 Ghostly presence: Notes on the composition of OID (2013) Juan Pampin Aesthetics, Composition, Electro-acoustic Music, Ethics, Live Electronics, Music
Animated Film Studio, Academy of Fine Arts in Kraków, 2013 [DVD] Interior Portrait, dir. Robert Sowa [DVD] (2013) Ewa Trębacz Electro-acoustic Music, Experimental Film/Cinema, Video Art, Visual Arts
Portraits of Contemporary Polish Composers: Ewa Trębacz Polish Music Today: Ewa Trębacz [CD] (2013) Ewa Trębacz, Joseph Anderson 3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media
Les Percussions de Strasbourg 50th Anniversary CD Box On Space [CD] (2012) Juan Pampin, Joseph Anderson 3D Audio, Ambisonics, Composition, Digital Signal Processing, Electro-acoustic Music, Immersive Media, Sound Synthesis, Spectral Modeling
Organised Sound 17.2 (2012) Depth Modulation: Composing Motion in Immersive Audiovisual Spaces. (2012) Ewa Trębacz 3D Audio, 3D Video and Animation, Art/Science, Immersive Media, Perception and Cognition, Video Art, Visual Arts
Glissando 19 (2011) Modulation des Raumes: auf der Suche nach der Sprache eines immersiven Mediums. (2011) Ewa Trębacz 3D Audio, 3D Video and Animation, Ambisonics, Immersive Media
Glissando 16 (2010) Pełna imersja: rzeczywistość czy utopia? [Full immersion: reality or utopia?] (2010) Ewa Trębacz 3D Audio, 3D Video and Animation, Ambisonics, Immersive Media
Música y espacio: Ciencia, tecnología y estética. Musica y espacio: Ciencia, tecnologia y estetica (2009) Juan Pampin Acoustics and Psychoacoustics, Aesthetics, Ambisonics, Composition, Computer Music, Digital Signal Processing
Sound Chronicle of the Warsaw Autumn 2009 Errai [CD] (2009) Ewa Trębacz, Joseph Anderson Ambisonics, Composition, Electro-acoustic Music
Melia Watras: Prestidigitation Nada [CD] (2008) Juan Pampin, Melia Watras Composition, Digital Signal Processing, Live Electronics, Music, Sound Synthesis, Spectral Modeling
Sequence, dir. Robert Sowa, photography Marcin Koszałka, music Ewa Trębacz | Animation still Sequence, dir. Robert Sowa [DVD] (2008) Ewa Trębacz Composition, Electro-acoustic Music, Experimental Film/Cinema, Video Art, Visual Arts
Applications of Ultrasonic Sound Beams in Performance and Sound Art Applications of Ultrasonic Sound Beams in Performance and Sound Art (2007) Juan Pampin, Eunsu Kang Aesthetics, Digital Signal Processing, Installation, Interactive Media, Sound Art, Ultrasound
Juanjo Guillem: Sólo Percusión Metal Hurlant [CD] (2007) Juan Pampin Composition, Digital Signal Processing, Live Electronics, Music, Spectral Modeling
Susana Kasakoff: Piano Ex Machina OID [CD] (2007) Juan Pampin Composition, Digital Signal Processing, Live Electronics, Music, Sound Synthesis, Video Art
Etica, Poetica, Poliitica: Apuntes sobre la composicion de OID Etica, Poetica, Politica: Apuntes sobre la composicion de OID (2007) Juan Pampin Aesthetics, Composition, Ethics, Live Electronics, Music, Video Art

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