 |
Lineage 1 (2019) |
Breana Tavaglione
Adviser: Afroditi Psarra |
Data Sonification, Electro-acoustic Music, Experimental Media, History, Music, Performance Studies, Sound Art |
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The Internet Is (2019) |
Rebby Montalvo |
Data Visualization, Digital Arts, Internet Art, Music, New Media, Video Art, Visual Arts |
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"MindTraffic" (2019) |
Rebby Montalvo |
Cybernetics, Experimental Film/Cinema, Internet Art, Media Arts, Music, New Media, Video Art |
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"Prosumer" (2019) |
Rebby Montalvo |
Cybernetics, Experimental Film/Cinema, Internet Art, Media Arts, Music, New Media, Video Art, Visual Arts |
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Atayal Modern Times (2019) |
Chanhee Choi
Adviser: Afroditi Psarra |
Digital Arts, Ethics, Experimental Media, Human-computer Interaction, Interactive Media, Mechatronic Art, Sensing, Visual Arts |
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<abc_null> [net release] (2018) |
Afroditi Psarra, Bonnie Whiting, Cameron Fraser, Michael McCrea |
Electro-acoustic Music, Experimental Media, Improvisation, Live Electronics, Physical Computing, Sound Art |
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Eating Myself (2017) |
Chanhee Choi |
Digital Arts, Experimental Film/Cinema, Interactive Media, Media Arts, Performance Studies, Sound Art, Video Art, Visual Arts |
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silent forest (2017) |
Adam Hogan
Adviser: Richard Karpen, Adviser: Juan Pampin |
3D Audio, Ambisonics, Environmental Art, Experimental Film/Cinema, Immersive Media, New Media, Site Specific Art |
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ATK Reaper: The Ambisonic Toolkit as JSFX plugins (2016) |
Joseph Anderson |
3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Signal Processing, Electro-acoustic Music, Electronic Media |
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ATK Reaper: Una versión en Plugin JSFX del Ambisonic Toolkit (2016) |
Joseph Anderson |
3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Electronic Media |
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Percussion Cycle, Les Percussions de Strasbourg [CD] (2016) |
Juan Pampin, Joseph Anderson |
3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Spectral Modeling |
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ATK Reaper: The Ambisonic Toolkit as JSFX plugins (2014) |
Joseph Anderson |
3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Software |
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Ghostly presence: Notes on the composition of OID (2013) |
Juan Pampin |
Aesthetics, Composition, Electro-acoustic Music, Ethics, Live Electronics, Music |
![Animated Film Studio, Academy of Fine Arts in Kraków, 2013 [DVD]](https://dxarts.washington.edu/sites/dxarts/files/styles/small-square/public/images/animated_film_studio.jpg?itok=fESZC1xV&c=b11de9c867be72a50fb21a387b93f97d "Animated Film Studio, Academy of Fine Arts in Kraków, 2013 [DVD]") |
Interior Portrait, dir. Robert Sowa [DVD] (2013) |
Ewa Trębacz |
Electro-acoustic Music, Experimental Film/Cinema, Video Art, Visual Arts |
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Polish Music Today: Ewa Trębacz [CD] (2013) |
Ewa Trębacz, Joseph Anderson |
3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media |
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On Space [CD] (2012) |
Juan Pampin, Joseph Anderson |
3D Audio, Ambisonics, Composition, Digital Signal Processing, Electro-acoustic Music, Immersive Media, Sound Synthesis, Spectral Modeling |
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Depth Modulation: Composing Motion in Immersive Audiovisual Spaces. (2012) |
Ewa Trębacz |
3D Audio, 3D Video and Animation, Art/Science, Immersive Media, Perception and Cognition, Video Art, Visual Arts |
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Modulation des Raumes: auf der Suche nach der Sprache eines immersiven Mediums. (2011) |
Ewa Trębacz |
3D Audio, 3D Video and Animation, Ambisonics, Immersive Media |
Psarra, Afroditi w/ Whiting, Bonnie & Perry Fraser, Cameron. "<abc_null>". Zeromoon Records, 2018 [net release].
The Internet Is - Video Poem
Naga by Cameron Perry Fraser - Fall 2017
Breana Tavaglione, Lineage 1, Iterations presented by DXARTS at The Chapel at the Good Shepherd Center in Seattle, Washington, 21 March 2019.
Pampin, Juan. "OID". Susana Kasakoff, Piano Ex Machina. BAU Records, 2007. CD.
Pampin, Juan. "Percussion Cycle, Les Percussions de Strasbourg". Sargasso Records, 2016. CD.
