Publications & Recordings

  • Naga is a electric metallophone instrument
    Naga by Cameron Perry Fraser - Fall 2017
  • Glissando 16 (2010)
    Trębacz, Ewa. "Pełna imersja: rzeczywistość czy utopia? Technologie przestrzenne z punktu widzenia artysty." ["Full immersion: reality or utopia? Artist's perspective on spatial technologies."] Glissando 16 (2010): 44-48. Print. Language: Polish.
  • Electro-Steel with goat skin head
    Electro-Steel by Cameron Perry Fraser - Autum 2018.
  • abc trio playing live
    Psarra, Afroditi w/ Whiting, Bonnie & Perry Fraser, Cameron. "<abc_null>". Zeromoon Records, 2018 [net release].
  • silent forest (installation detail)
    Adam Hogan, silent forest, Bradbury Art Museum, 2017
  • Sequence, dir. Robert Sowa, photography Marcin Koszałka, music Ewa Trębacz |  Working on stop-motion animation...
    "Sequence". Dir. Robert Sowa, photography Marcin Koszałka, music Ewa Trębacz. Action Animation - The Most Recent Films. National Audiovisual Institute NInA (Poland), 2008. DVD.

Completed/published

Image Short Title People Involved Related Fields
Chit Chat vignette Voices and Voids: Subverting Voice Assistant Systems through Performative Experiments (2021) Afroditi Psarra Digital Arts, Ethics, Improvisation, Internet Art, Machine Learning, Media Arts, Music, Performance Studies
Adam Bałdych, violin | Photo credit: WARSAW AUTUMN Metanoia (2020) Ewa Trębacz 3D Audio, Ambisonics, Composition, Computer Music, Electro-acoustic Music, Improvisation, Music
Lineage 1 Lineage 1 (2019) Breana Tavaglione
Adviser: Afroditi Psarra
Data Sonification, Electro-acoustic Music, Experimental Media, History, Music, Performance Studies, Sound Art
The Internet Is - POEM The Internet Is (2019) Rebby Montalvo Data Visualization, Digital Arts, Internet Art, Music, New Media, Video Art, Visual Arts
"MindTraffic" (2019) Rebby Montalvo Cybernetics, Experimental Film/Cinema, Internet Art, Media Arts, Music, New Media, Video Art
"Prosumer" Still #1 from Video - RM TNKRT "Prosumer" (2019) Rebby Montalvo Cybernetics, Experimental Film/Cinema, Internet Art, Media Arts, Music, New Media, Video Art, Visual Arts
cover of the net release <abc_null> <abc_null> [net release] (2018) Afroditi Psarra, Cameron Fraser, Michael McCrea Electro-acoustic Music, Experimental Media, Improvisation, Live Electronics, Physical Computing, Sound Art
. Eating Myself (2017) Chanee Choi Digital Arts, Experimental Film/Cinema, Interactive Media, Media Arts, Performance Studies, Sound Art, Video Art, Visual Arts
silent forest (installation view) silent forest (2017) Adam Hogan
Adviser: Richard Karpen, Adviser: Juan Pampin
3D Audio, Ambisonics, Environmental Art, Experimental Film/Cinema, Immersive Media, New Media, Site Specific Art
ATK Reaper: The Ambisonic Toolkit as JSFX plugins (2016) Joseph Anderson 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Signal Processing, Electro-acoustic Music, Electronic Media
ATK Reaper: Una versión en Plugin JSFX del Ambisonic Toolkit (2016) Joseph Anderson 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Electronic Media
Juan Pampin, Percussion Cycle Percussion Cycle,  Les Percussions de Strasbourg [CD] (2016) Juan Pampin, Joseph Anderson 3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Spectral Modeling
ATK Reaper: The Ambisonic Toolkit as JSFX plugins (2014) Joseph Anderson 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Software
MusikTexte #136 Ghostly presence: Notes on the composition of OID (2013) Juan Pampin Aesthetics, Composition, Electro-acoustic Music, Ethics, Live Electronics, Music
Animated Film Studio, Academy of Fine Arts in Kraków, 2013 [DVD] Interior Portrait, dir. Robert Sowa [DVD] (2013) Ewa Trębacz Electro-acoustic Music, Experimental Film/Cinema, Video Art, Visual Arts
Portraits of Contemporary Polish Composers: Ewa Trębacz Polish Music Today: Ewa Trębacz [CD] (2013) Ewa Trębacz, Joseph Anderson 3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media

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