Publications & Recordings

  • Satellite transmission audio recording at The Wassaic Project, NY
    Listening Space, Afroditi Psarra & Audrey Briot (2019/20)
  • Seattle Tape Player Array
    Seattle Tape Player Array by Cameron Perry Fraser 2018
  • Naga is a electric metallophone instrument
    Naga by Cameron Perry Fraser - Fall 2017
  • Etica, Poetica, Poliitica: Apuntes sobre la composicion de OID
    Pampin, Juan. "Ética, Poética, Política: Apuntes sobre la composición de OID".  Nuevas Poéticas de la Música Contemporánea Argentina. Ed. Pablo Fessel. Buenos Aires: Biblioteca Nacional Argentina, 2007. 245-253. Print.
  • stave drum construction
    Electro-Steel by Cameron Perry Fraser - Autum 2018.
  • silent forest (field documentation)
    Adam Hogan, silent forest, Bradbury Art Museum, 2017

Completed/published

Image Short Title People Involved Related Fields
Lineage 1 Lineage 1 (2019) Breana Tavaglione
Adviser: Afroditi Psarra
Data Sonification, Electro-acoustic Music, Experimental Media, History, Music, Performance Studies, Sound Art
The Internet Is - POEM The Internet Is (2019) Rebby Montalvo Data Visualization, Digital Arts, Internet Art, Music, New Media, Video Art, Visual Arts
"MindTraffic" (2019) Rebby Montalvo Cybernetics, Experimental Film/Cinema, Internet Art, Media Arts, Music, New Media, Video Art
"Prosumer" Still #1 from Video - RM TNKRT "Prosumer" (2019) Rebby Montalvo Cybernetics, Experimental Film/Cinema, Internet Art, Media Arts, Music, New Media, Video Art, Visual Arts
.  Atayal Modern Times (2019) Chanhee Choi
Adviser: Afroditi Psarra
Digital Arts, Ethics, Experimental Media, Human-computer Interaction, Interactive Media, Mechatronic Art, Sensing, Visual Arts
cover of the net release <abc_null> <abc_null> [net release] (2018) Afroditi Psarra, Bonnie Whiting, Cameron Fraser, Michael McCrea Electro-acoustic Music, Experimental Media, Improvisation, Live Electronics, Physical Computing, Sound Art
. Eating Myself (2017) Chanhee Choi Digital Arts, Experimental Film/Cinema, Interactive Media, Media Arts, Performance Studies, Sound Art, Video Art, Visual Arts
silent forest (installation view) silent forest (2017) Adam Hogan
Adviser: Richard Karpen, Adviser: Juan Pampin
3D Audio, Ambisonics, Environmental Art, Experimental Film/Cinema, Immersive Media, New Media, Site Specific Art
ATK Reaper: The Ambisonic Toolkit as JSFX plugins (2016) Joseph Anderson 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Signal Processing, Electro-acoustic Music, Electronic Media
ATK Reaper: Una versión en Plugin JSFX del Ambisonic Toolkit (2016) Joseph Anderson 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Electronic Media
Juan Pampin, Percussion Cycle Percussion Cycle,  Les Percussions de Strasbourg [CD] (2016) Juan Pampin, Joseph Anderson 3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Spectral Modeling
ATK Reaper: The Ambisonic Toolkit as JSFX plugins (2014) Joseph Anderson 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Software
MusikTexte #136 Ghostly presence: Notes on the composition of OID (2013) Juan Pampin Aesthetics, Composition, Electro-acoustic Music, Ethics, Live Electronics, Music
Animated Film Studio, Academy of Fine Arts in Kraków, 2013 [DVD] Interior Portrait, dir. Robert Sowa [DVD] (2013) Ewa Trębacz Electro-acoustic Music, Experimental Film/Cinema, Video Art, Visual Arts
Portraits of Contemporary Polish Composers: Ewa Trębacz Polish Music Today: Ewa Trębacz [CD] (2013) Ewa Trębacz, Joseph Anderson 3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media
Les Percussions de Strasbourg 50th Anniversary CD Box On Space [CD] (2012) Juan Pampin, Joseph Anderson 3D Audio, Ambisonics, Composition, Digital Signal Processing, Electro-acoustic Music, Immersive Media, Sound Synthesis, Spectral Modeling
Organised Sound 17.2 (2012) Depth Modulation: Composing Motion in Immersive Audiovisual Spaces. (2012) Ewa Trębacz 3D Audio, 3D Video and Animation, Art/Science, Immersive Media, Perception and Cognition, Video Art, Visual Arts
Glissando 19 (2011) Modulation des Raumes: auf der Suche nach der Sprache eines immersiven Mediums. (2011) Ewa Trębacz 3D Audio, 3D Video and Animation, Ambisonics, Immersive Media
Glissando 16 (2010) Pełna imersja: rzeczywistość czy utopia? [Full immersion: reality or utopia?] (2010) Ewa Trębacz 3D Audio, 3D Video and Animation, Ambisonics, Immersive Media

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