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Immersive Media
Research
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Listening Space, Afroditi Psarra & Audrey Briot (2019/20)
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Inanna Descending, for Ambisonic sound and variable ensemble, Ewa Trębacz (2019)
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Sangjun, Yoo
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Sangjun, Yoo
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Sangjun, Yoo and Daniel E Roberts
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Adam Hogan, silent forest, Bradbury Art Museum, 2017
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The project consists of an interactive space, based on the concept of biofeedback.
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Cosmic Bitcasting, Afroditi Psarra (2016)
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Pampin, Juan. "Percussion Cycle, Les Percussions de Strasbourg". Sargasso Records, 2016. CD.
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Jarmick, Martin. Memoir II. Center for Digital Art & Experimental Media (DXARTS). 2016.
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A Line, for 3D electronic sounds, Juan Pampin (2015)
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Jarmick, Martin. I'll Make Myself A Memory. Center for Digital Art & Experimental Media (DXARTS). 2015.
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Vestiges II ver.2, interactive multimedia installation by Ha Na Lee, CURRENTS: Santa Fe's Annual International New Media Festival, Santa Fe, NM (June - July 2014)
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Site Machines by Tivon Rice - Site Specific Multimedia Installation at Seattle’s Suyama Space - Live video, neon, kinetic sculpture, and sound
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distant light, interactive media installation
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Horizon is an Imaginary Line, Light and Sound Installation
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Trębacz, Ewa. Polish Music Today. Portraits of Contemporary Polish Composers: Ewa Trębacz. Polmic, 2013. CD.
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ANC'L'SUNR, for symphony orchestra and 3D electronic sound, Ewa Trębacz (2013)
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Arcade Zero by Tivon Rice - Multimedia Installation at The Seoul Museum of Art's Nanji Gallery - Real-time audio and video, kinetic sculpture, video projection, neon
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Pampin, Juan. "On Space". Les Percussions de Strasbourg 50th Anniversary Edition CD Box. Universal France, 2012. CD.
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Trębacz, Ewa. "Depth Modulation: Composing Motion in Immersive Audiovisual Spaces". Organised Sound 17.2 (2012): 156-162. Print.
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Trębacz, Ewa. "Modulation des Raumes: auf der Suche nach der Sprache eines immersiven Mediums" Glissando 19 (2011): 72-76. Print. Language: German.
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Trębacz, Ewa. "Pełna imersja: rzeczywistość czy utopia? Technologie przestrzenne z punktu widzenia artysty." ["Full immersion: reality or utopia? Artist's perspective on spatial technologies."] Glissando 16 (2010): 44-48. Print. Language: Polish.
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Errai. Immersive Audiovisual Space, for horn, soprano, and audiovisual immersive media, Ewa Trębacz (2009)
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Entanglement, telematic sound installation by Juan Pampin, Eunsu Kang, Joel S. Kollin (2008)
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things lost things invisible, for Ambisonic space and orchestra, Ewa Trębacz (2007)
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On Space, for percussion sextet and 3D electronic sound, Juan Pampin (2005)
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Minotaur, for horn and surround sound, Ewa Trębacz (2005, revised 2011)
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Embodied RF Ecologies, Afroditi Psarra (2018/19)
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Cameron Fraser. Large String Array: installation, Jack Straw Gallery, University of Washington; 2020
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Kinetic immersive sound installation, Eleanor Jones, 2021
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Kisic Aguirre, Nicolás. Realidad Mutada. 2022, Department of Digital Arts and Experimental Media, University of Washington Seattle.
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Embosquecerse, by Juan Pampin and Abigail Jara
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Remembrance
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Post Internet & Video Art
Assistant Professor