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Ambisonics
All content tagged with
Ambisonics
:
People
Joseph Anderson
Research Scientist
Adam Hogan
Graduate Student
Michael McCrea
Research Scientist
Joel Ong
Graduate Student
Juan Pampin
Professor (Director, DXARTS)
Daniel Peterson
Graduate Student
Ewa Trębacz
Research Scientist
News
Joseph Anderson's
Pacific Slope
at Stanford University
Music of Today: Experimental Improvised Music in 3D
Events
2014
Title
Date
Time
Location
DXARTS Fall Concert
Nov 13
7:30pm
Meany Hall
Research
Creative Work
Experimental Improvised Music in 3D (performance), 2014
A Line
, for 3D electronic sounds, Juan Pampin (2015)
ANC'L'SUNR,
for symphony orchestra and 3D electronic sound, Ewa Trębacz (2013)
Entanglement
, telematic sound installation by Juan Pampin, Eunsu Kang, Joel S. Kollin (2008)
Horizon is an Imaginary Line
, Light and Sound Installation
Iriviskia
, violin-horn duo with 3D sound, Ewa Trębacz (2015 - 2017)
Ligeia
, for invisible soprano, ensemble and surround sound, Ewa Trębacz (2016)
Minotaur,
for horn and surround sound, Ewa Trębacz (2005, revised 2011)
On Space
, for percussion sextet and 3D electronic sound, Juan Pampin (2005)
prosthesis memoria
for two performers and EEG by: Daniel Peterson and Adam Hogan, 2016
things lost things invisible,
for Ambisonic space and orchestra, Ewa Trębacz (2007)
Container Study, a 3D Sound Installation
Hemispheres (ongoing)
Steilacoom, for computer realized ambisonic sound
Swarm of Echoes (2011), for 3D Computer-realized Sound
Creative Work
,
Graduate
,
Dissertations
Errai. Immersive Audiovisual Space,
for horn, soprano, and audiovisual immersive media, Ewa Trębacz (2009)
Publications
,
CD/Audio
,
Recordings
Trębacz, Ewa. "Errai"
.
Perf. Josiah Boothby and Anna Niedźwiedź. Rec. Joseph Anderson.
Sound Chronicle of the Warsaw Autumn 2009.
Polmic, 2009. CD.
Trębacz, Ewa. "Minotaur"
.
Perf. Henryk Kaliński and Josiah Boothby.
Sound Chronicle of the Warsaw Autumn 2005.
Polmic, 2005. CD.
Trębacz, Ewa. "Things lost things invisible"
.
Perf. Josiah Boothby, Toby Penk, Colby Wiley, and K.Szymanowski Academic Symphony Orch. Cond. Arturo Tamayo and Szymon Bywalec.
Sound Chronicle of the Warsaw Autumn 2007.
Polmic, 2007. CD.
Trębacz, Ewa.
Polish Music Today. Portraits of Contemporary Polish Composers: Ewa Trębacz.
Polmic, 2013. CD.
Publications
,
Essays
Trębacz, Ewa. "Modulation des Raumes: auf der Suche nach der Sprache eines immersiven Mediums"
Glissando
19 (2011): 72-76. Print. Language: German.
Trębacz, Ewa. "Pełna imersja: rzeczywistość czy utopia? Technologie przestrzenne z punktu widzenia artysty." ["Full immersion: reality or utopia? Artist's perspective on spatial technologies."]
Glissando
16 (2010): 44-48. Print. Language: Polish.
Technology
J. Anderson (2016): Ambisonics & the ATK @ DXARTS. Presented at the Pacific Northwest AES Section Meeting (Nov 2017), Seattle.
Ambisonic Toolkit (ATK)
Ambisonics and 3-D Audio Playback Systems
Publications
T. Lossius & J. Anderson (2014): ATK Reaper: The Ambisonic Toolkit as JSFX plugins. Proceedings of the joint 40th International Computer Music Conference & 11th Sound and Music Computing Conference, Athens, pp. 1338-1345.
T. Lossius & J. Anderson (2016): “ATK Reaper: The Ambisonic Toolkit as JSFX plugins”, Ideas Sónicas/Sonic Ideas, vol 8, no. 16., CMMAS, Morelia, Mexico. ISSN:2317-9694. pp. 9-19
T. Lossius & J. Anderson (2016): “ATK Reaper: Una versión en Plugin JSFX del Ambisonic Toolkit”, (Traducción al Español de Lucas Samaruga) Ideas Sónicas/Sonic Ideas, año 8, no. 16., CMMAS, Morelia, Mexico. ISSN:2317-9694. pp. 20-31
Creative Work
,
Publications
,
Film/Video
Adam Hogan,
silent forest
, Bradbury Art Museum, 2017
Publications
,
Books
,
Editions
,
Essays
Basso, Gustavo, Juan Pampin, and Pablo Oscar Di Liscia, eds.
Música y espacio: Ciencia, tecnología y estética.
Buenos Aires: Editorial Universidad Nacional de Quilmes, 2009. Print.
Publications
,
Recordings
Pampin, Juan. "On Space".
Les Percussions de Strasbourg 50th Anniversary Edition CD Box
. Universal France, 2012. CD.
Pampin, Juan. "Percussion Cycle, Les Percussions de Strasbourg". Sargasso Records, 2016. CD.
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