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Electronic Media
Research
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if i keep recalling it, something had to change... for drums and electronics, 2022
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Inanna Descending, for Ambisonic sound and variable ensemble, Ewa Trębacz (2019)
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Sangjun, Yoo
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Sangjun, Yoo and Daniel E Roberts
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J. Anderson (2016): Ambisonics & the ATK @ DXARTS. Presented at the Pacific Northwest AES Section Meeting (Nov 2017), Seattle.
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The project consists of an interactive space, based on the concept of biofeedback.
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T. Lossius & J. Anderson (2016): “ATK Reaper: The Ambisonic Toolkit as JSFX plugins”, Ideas Sónicas/Sonic Ideas, vol 8, no. 16., CMMAS, Morelia, Mexico. ISSN:2317-9694. pp. 9-19
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T. Lossius & J. Anderson (2016): “ATK Reaper: Una versión en Plugin JSFX del Ambisonic Toolkit”, (Traducción al Español de Lucas Samaruga) Ideas Sónicas/Sonic Ideas, año 8, no. 16., CMMAS, Morelia, Mexico. ISSN:2317-9694. pp. 20-31
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Two Women, multimedia installation by Ha Na Lee
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Jarmick, Martin. I'll Make Myself A Memory. Center for Digital Art & Experimental Media (DXARTS). 2015.
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Partita No. 2 in Infrasound
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Site Machines by Tivon Rice - Site Specific Multimedia Installation at Seattle’s Suyama Space - Live video, neon, kinetic sculpture, and sound
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Convex Mirror, public art installation by Robert Twomey, South Lake Union, Seattle, (December 2013 - February 2014)
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Arcade Zero by Tivon Rice - Multimedia Installation at The Seoul Museum of Art's Nanji Gallery - Real-time audio and video, kinetic sculpture, video projection, neon
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Imaginary Machinescape is a sound ecosystem produced by the dialogue between the situational landscape and the interpretation that a machine makes of the environment. Through a system based on Artificial Intelligence models, this system listens, interprets, and classifies the non-human acoustic signals of the electromagnetic spectrum that an antenna captures.
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s(c)ymb(al)iont, for plants, drums, lights, and computer by Murphy Janssen and Wei Yang, 2021
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Corn Broom + Arduino Un0 + Piezo + Sound Amplifier
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Naga by Cameron Perry Fraser - Fall 2017