DXARTS Alumna, Maja Pertic, is presenting her new work Specimens of Time: Burn at The Vestibule gallery in Seattle. Maja will be giving an Artist Talk on December 13 at 7pm. For more information please visit: https://thevestibule.org/maja-petric-specimens-of-time
Two Ambisonic works from DXARTS have been included in the 2024 International Computer Music Conference’s program: Umbrae by Ewa Trębacz , and ní nán by Wei Yang.
ICMC 2024, titled “Sound in Motion”, is hosted by the Hanyang University in Seoul, South Korea, from July 7 to July 13, 2024. All events are held at the Hanyang University College of Music and its computer music studio, CREAMA (Center for Research in Electro-Acoustic Music…
An Ambisonic work “Umbrae” by DXARTS Alumna and Research Scientist Ewa Trębacz has been included in the 2024 edition of the New York City Electroacoustic Music Festival (NYCEMF).
“Umbrae” is a 3rd order Ambisonic soundscape, composed with extensive use of the Ambisonic Toolkit (ATK) software, developed at DXARTS. As part of NYCEMF 2024, it will be performed on June 21st at the Sheen Center for Thought and Culture, Frank Shiner Theater in New York City with a 16 channel, double-ring…
CIME/ICEM 2023International Confederation of Electroacoustic Music
41st General AssemblyNovember 3-4, Rethymno
Electroacoustic Music Days 2023November 1-5
Umbrae - an Ambisonic work by DXARTS Alumna and Research Scientist Ewa Trębacz - has been included in the program of the Electroacoustic Music Days 2023 in Rethymno, Crete (Greece), in a joint event with the 41st General Assembly of the International Confederation of Electroacoustic Music (CIME/ICEM).
During the 5 days of the…
Umbrae - an Ambisonic soundscape by DXARTS Alumna and Research Scientist Ewa Trębacz - was premiered on September 9, 2023 as part of the Ars Electronica Festival in Linz, Austria.
The Medium Sonorum concertwas the final event of their Sonic Saturday annual symposium, this year titled "Manufacturing Audible Truth" (in response to the festival's theme Who Owns the Truth?). The Symposium…
Ewa Trebacz's Metanoia concerto for violin, string orchestra and surround sound, has been released on a CD as part of the collection Sound Chronicles of the Warsaw Autumn 2020.
“Metanoia” is a violin concerto for an improvising soloist, string orchestra, and spatial soundscape. It was commissioned by the National Forum of Music in Wrocław, Poland. The piece was composed for NFM Leopoldinum Orchestra with jazz violinist Adam Bałdych as a soloist.
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MUSICA POLONICA NOVA - Festival of Polish Contemporary Music
Ewa Trębacz, DXARTS Alumna and Research Scientist, was a composer-in-residence at this year’s edition of the Musica Polonica Nova festival in Wrocław, Poland. The festival was held at the state-of-the-art concert venue National Forum of Music, and features a kaleidoscope of works composed by Polish artists in recent years.
Ewa Trebacz’s…
Assistant Professor Tivon Rice and PhD Alumnus Adam Hogan will represent DXARTS at CYFEST-13 with video installations at the St Petersburg Stieglitz State Academy of Art and Design.
https://www.cyberfest.ru/stieglitz-academy-13
"A space station has temporarily appeared in the exhibition hall. It is a black structure divided into sections with separate exits. Each of them contains an artistic image, a fragment of the world, independent and at the same time inseparable…
FLUPRESJE, a fixed-media piece by DXARTS Postdoctoral Scholar Marcin Pączkowski will be presented at the International Computer Music Conference 2021 (http://icmc2021.org)
“Flupresje” [fluh-`press-yeah] (2019) is a fixed-media piece based on recordings of a variety of flutes. The main idea is to give the sounds a new and unique meaning through a series of transformations. Granular synthesis and re-synthesis of sound has an important role in that process. Musical motives were generated both…
DXARTS Research Associate Marcin Pączkowski presents his research on rehearsing music online at Piteå Performing Arts Biennial 2020.Piteå Performing Arts Biennial seeks new formats for the performing arts to engage in societal issues. The first edition, postponed to 2021 due to to the Covid-19 pandemic, focuses on ecological perspectives, and further seeks engagement in questions related to site and place. On October 26-27, an online pre event presents some perspectives on how the performing…