Technology

  • DXARTS Media Lab layout mockup
    Ambisonics and 3-D Audio Playback Systems
  • Naga is a electric metallophone instrument
    Naga by Cameron Perry Fraser - Fall 2017
  • DXARS Sound Lab under construction: coincident laser measurement for distance calibration.
    Ambisonics and 3-D Audio Playback Systems
  • .
    #pandemic 2020 
  • Naga is a electric metallophone instrument
    Naga by Cameron Perry Fraser - Fall 2017
  • Polaris
    Polaris is inspired by starlight and our existence in the universe. Seattle WA, 2018-19 

Ongoing
Image Short Title People Involved Related Fields
AV GLITCH BROOM AV Glitch Broom (2018) Rebby Montalvo Computer Music, Data Sonification, Digital Arts, Electronic Media, Interactive Media, Mechatronic Art, Performance Studies, Sound Art
Rebby M (Tnkrt) El Macheterometer (2018) Rebby Montalvo Computer Music, Data Sonification, Experimental Media, Improvisation, Mechatronic Art, Performance Studies, Sound Art, Sound Synthesis
Naga is a electric metallophone instrument Naga (2017) Cameron Fraser Acoustics and Psychoacoustics, Composition, Electro-acoustic Music, Electronic Media, Improvisation, Music, Sound Art
Satellite transmission machine knitting Listening Space (Ongoing) Afroditi Psarra Art/Science, Digital Fabrication, Environmental Art, Experimental Media, Immersive Media, Perception and Cognition, Science and Technology, Sensing
microphone in parts low cost ambisonic mic (Ongoing) Rihards Vitols
Adviser(s): Juan Pampin, Joseph Anderson 		3D Audio, Ambisonics
DXARTS Sound Lab layout mockup Ambisonics and 3-D Audio Playback Systems (Ongoing) Joseph Anderson, Juan Pampin, Michael McCrea 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Signal Processing, Science and Technology, Software, Sound Art
An early prototype of an ultrasonic speaker array. Ultrasonic Beamforming (Ongoing) Michael McCrea, Juan Pampin Aural Architecture, Digital Signal Processing, Programming, Science and Technology, Software, Sound Art, Ultrasound
ATK ATK (Ongoing) Joseph Anderson, Michael McCrea, Juan Pampin, Daniel Peterson 3D Audio, Ambisonics, Digital Signal Processing, Electro-acoustic Music, Programming, Software
ATS: snapshot of ATSH editor ATS (Ongoing) Juan Pampin Composition, Computer Music, Electro-acoustic Music, Live Electronics, Programming, Software, Sound Synthesis, Spectral Modeling

In progress
Image Short Title People Involved Related Fields
Remembrance Remembrance (2022) Chanhee Choi
Adviser(s): Afroditi Psarra, James Coupe, Richard Karpen, Juan Pampin, Tivon Rice 		3D Video and Animation, Immersive Media, Machine Learning, Neuroaesthetics, Perception and Cognition, Performance Studies
. Unreal Window (2021) Chanhee Choi, Chari Glogovac-Smith
Adviser(s): Tivon Rice 		3D Modeling, 3D Video and Animation, Digital Arts, Machine Learning
Large String Array (2020) Cameron Fraser
Adviser(s): Juan Pampin, Afroditi Psarra 		Acoustics and Psychoacoustics, Aural Architecture, Electro-acoustic Music, Environmental Art, Immersive Media, Installation, Mechatronic Art, Sound Art
. PANDEMIC  (2020) Chanhee Choi, Wei Yang
Adviser(s): James Coupe 		3D Modeling, 3D Scanning and Printing, 3D Video and Animation, Digital Arts, Interactive Media, Media Arts, Sound Art
Seattle Tape Player Array Seattle Tape Player Array (2018) Cameron Fraser Computer Music, Improvisation, Robotics, Sensing
CAD rendition of Nandi, an automated electromagnetic stringed instrument Electro-Steel (2018) Cameron Fraser Acoustics and Psychoacoustics, Electro-acoustic Music, Improvisation, Interactive Media, Live Electronics, Music, Robotics, Sound Art

Completed/published
Image Short Title People Involved Related Fields
Polaris Polaris (2019) Chanhee Choi
Adviser(s): Richard Karpen, Afroditi Psarra 		Digital Arts, Installation, Interactive Media, New Media, Performance Studies, Visual Arts
skull Oseo (Skull) (2018) Esteban Agosin Biological Art, New Media, Public Art, Sound Art
. Eating Myself (2017) Chanhee Choi Digital Arts, Experimental Film/Cinema, Interactive Media, Media Arts, Performance Studies, Sound Art, Video Art, Visual Arts
Ambisonics & the ATK @ DXARTS (2017) Joseph Anderson, Juan Pampin, Michael McCrea, Ewa Trębacz, Daniel Peterson, Martin Jarmick 3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Signal Processing, Electro-acoustic Music, Electronic Media
Hilbert curve wearable fractal antenna Fractal Antennae (2017) Afroditi Psarra Aesthetics, Algorithmic Processes, Art/Science, Digital Fabrication, Experimental Media, Physical Computing, Science and Technology, Sensing
Encephalophone Ensemble at 9e2 Festival (2016) Thomas Deuel, Marcin Pączkowski Improvisation, Music, Neuroaesthetics
Installation view of the work Those who observe the Wind...  (2015) Joel Ong
Adviser(s): Juan Pampin 		Art/Science, Cybernetics, Data Sonification, Digital Arts, Environmental Art, Science and Technology, Site Specific Art, Sound Art
Solipsist (2012) Robert Twomey Human-computer Interaction, Installation, Interactive Media, New Media, Speech Recognition and Synthesis, Systems
Closed-loop Brain-Computer Interface Closed-loop Brain-Computer Interface (2007) Eberhard Fetz Science and Technology
Embodied RF Ecologies wearable Embodied RF Ecologies (Completed/published) Afroditi Psarra Art/Science, Digital Fabrication, Environmental Art, Experimental Media, Immersive Media, Physical Computing, Sensing, Sound Art