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3Description: An Intuitive Human-AI Collaborative 3D Modeling Approach |
Zoe Cai |
Art/Science, Human-computer Interaction, Interactive Media, Machine Learning |
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AURA |
Juan Pampin |
Composition, Computer Music, Improvisation, Live Electronics, Music |
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Odyssey Two. PSeME Collection. [CD] |
Ewa Trębacz, Marcin Pączkowski |
Ambisonics, Composition, Computer Music, Electro-acoustic Music, Improvisation, Music |
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Metanoia [CD] |
Ewa Trębacz |
Ambisonics, Composition, Computer Music, Electro-acoustic Music, Improvisation |
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Sensing Textures: Tactile Resistance |
Sadaf Sadri, Afroditi Psarra, Esteban Agosin |
E-textiles |
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Voices and Voids: Subverting Voice Assistant Systems through Performative Experiments |
Afroditi Psarra, Bonnie Whiting |
Digital Arts, Ethics, Improvisation, Internet Art, Machine Learning, Media Arts, Music, Performance Studies |
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<abc_null> [net release] |
Afroditi Psarra, Bonnie Whiting, Cameron Fraser, Michael McCrea |
Electro-acoustic Music, Experimental Media, Improvisation, Live Electronics, Physical Computing, Sound Art |
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ATK Reaper: The Ambisonic Toolkit as JSFX plugins |
Joseph Anderson |
3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Signal Processing, Electro-acoustic Music, Electronic Media |
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ATK Reaper: Una versión en Plugin JSFX del Ambisonic Toolkit |
Joseph Anderson |
3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Electronic Media |
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Percussion Cycle, Les Percussions de Strasbourg [CD] |
Juan Pampin, Joseph Anderson |
3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Spectral Modeling |
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ATK Reaper: The Ambisonic Toolkit as JSFX plugins |
Joseph Anderson |
3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Software |
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Ghostly presence: Notes on the composition of OID |
Juan Pampin |
Aesthetics, Composition, Electro-acoustic Music, Ethics, Live Electronics, Music |
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Interior Portrait, dir. Robert Sowa [DVD] |
Ewa Trębacz |
Electro-acoustic Music, Experimental Film/Cinema, Video Art, Visual Arts |
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Polish Music Today: Ewa Trębacz [CD] |
Ewa Trębacz, Joseph Anderson |
3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media |
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On Space [CD] |
Juan Pampin, Joseph Anderson |
3D Audio, Ambisonics, Composition, Digital Signal Processing, Electro-acoustic Music, Immersive Media, Sound Synthesis, Spectral Modeling |
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Depth Modulation: Composing Motion in Immersive Audiovisual Spaces. |
Ewa Trębacz |
3D Audio, 3D Video and Animation, Art/Science, Immersive Media, Perception and Cognition, Video Art, Visual Arts |
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Modulation des Raumes: auf der Suche nach der Sprache eines immersiven Mediums. |
Ewa Trębacz |
3D Audio, 3D Video and Animation, Ambisonics, Immersive Media |
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Pełna imersja: rzeczywistość czy utopia? [Full immersion: reality or utopia?] |
Ewa Trębacz |
3D Audio, 3D Video and Animation, Ambisonics, Immersive Media |
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Musica y espacio: Ciencia, tecnologia y estetica |
Juan Pampin |
Acoustics and Psychoacoustics, Aesthetics, Ambisonics, Composition, Computer Music, Digital Signal Processing |
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Errai [CD] |
Ewa Trębacz, Joseph Anderson |
Ambisonics, Composition, Electro-acoustic Music |
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Nada [CD] |
Juan Pampin, Melia Watras |
Composition, Digital Signal Processing, Live Electronics, Music, Sound Synthesis, Spectral Modeling |
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Sequence, dir. Robert Sowa [DVD] |
Ewa Trębacz |
Composition, Electro-acoustic Music, Experimental Film/Cinema, Video Art, Visual Arts |
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Applications of Ultrasonic Sound Beams in Performance and Sound Art |
Juan Pampin, Eunsu Kang |
Aesthetics, Digital Signal Processing, Installation, Interactive Media, Sound Art, Ultrasound |
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Metal Hurlant [CD] |
Juan Pampin |
Composition, Digital Signal Processing, Live Electronics, Music, Spectral Modeling |
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OID [CD] |
Juan Pampin |
Composition, Digital Signal Processing, Live Electronics, Music, Sound Synthesis, Video Art |