| Yuhanxiao Ma, Anna Ren, and Yanxiang Zhu. The Guinea Pig Eligibility Test: A Participatory Web-based Exploration of Data and Clinical Trial Ethics. In Proceedings of the Expanded Conference at Ars Electronica 2025. Association for Computing Machinery, New York, NY, USA, 133–141. https://doi.org/10.1145/3749893.3749920 |
Publications |
3D Video and Animation, Art/Science, Experimental Media, Installation, Interactive Media, Surveillance and Privacy |
| Zhuodi Cai. 2025. How I Perceive It: Human Memory-Augmented Analogical Reasoning for Machine Visual Interpretation. In Proceedings of the SIGGRAPH Asia 2025 Art Papers (SA Art Papers ’25). Association for Computing Machinery, New York, NY, USA, Article 12, 8 pages. https://doi.org/10.1145/3757369.3767595 |
Publications |
Art/Science, Experimental Media, Human-computer Interaction, Interactive Media, Machine Learning, Media Arts, Science and Technology, Software, Visual Arts |
| Zhuodi (Zoe) Cai, Ziyu (Rose) Xu, Juan Pampin. Human-Machine Ritual: Synergic Performance through Real-Time Motion Recognition. In Proceedings of the Thirty-Ninth Conference on Neural Information Processing Systems (NeurIPS 2025). |
Creative Work, Technology, Publications, Articles, Essays, Projects |
Algorithmic Processes, Human-computer Interaction, Interactive Media, Performance Studies, Science and Technology, Sensing, Systems |
| Musical auditory feedback BCI: clinical pilot study of the Encephalophone, Frontiers of Human Neuroscience, June 15 2025. Sec. Brain-Computer Interfaces, Volume 19 - 2025. |
Technology, Publications, Articles |
Art/Science, Human-computer Interaction, Neuroaesthetics, Sensing |
| Zhuodi Cai. 2024. 3Description: An Intuitive Human-AI Collaborative 3D Modeling Approach. In Proceedings of the 11th International Conference on Digital and Interactive Arts (ARTECH '23). Association for Computing Machinery, New York, NY, USA, Article 32, 1–5. https://doi.org/10.1145/3632776.3632785 |
Publications |
Art/Science, Human-computer Interaction, Interactive Media, Machine Learning |
| AURA, by Juan Pampin, Inkilino Records, 2023 |
Publications, CD/Audio |
Composition, Computer Music, Improvisation, Live Electronics, Music |
| Odyssey Two. PSeME Collection. Polish Society of Electroacoustic Music. Opus 90, 2023. CD. |
Publications, CD/Audio |
Ambisonics, Composition, Computer Music, Electro-acoustic Music, Improvisation, Music |
| Trębacz, Ewa. "Metanoia, concerto for violin, string orchestra and surround sound." Sound Chronicle of the Warsaw Autumn 2020. Polmic, 2023. CD. |
Publications, CD/Audio |
Ambisonics, Composition, Computer Music, Electro-acoustic Music, Improvisation |
| ISWC '21: Proceedings of the 2021 ACM International Symposium on Wearable ComputersSeptember 2021Pages 211–215https://doi.org/10.1145/3460421.3478833 |
Publications, Essays |
E-textiles |
| Desjardins, Audrey and Psarra, Afroditi and Whiting, Bonnie. 2021. Voices and Voids: Subverting Voice Assistant Systems through Performative Experiments. In Creativity and Cognition (C&C '21). Association for Computing Machinery, New York, NY, USA, Article 29, 1–10. DOI: https://doi.org/10.1145/3450741.3466807 |
Publications, Essays |
Digital Arts, Ethics, Improvisation, Internet Art, Machine Learning, Media Arts, Music, Performance Studies |
| Psarra, Afroditi w/ Whiting, Bonnie & Perry Fraser, Cameron. "<abc_null>". Zeromoon Records, 2018 [net release]. |
Publications, CD/Audio, Recordings |
Electro-acoustic Music, Experimental Media, Improvisation, Live Electronics, Physical Computing, Sound Art |
| T. Lossius & J. Anderson (2016): “ATK Reaper: The Ambisonic Toolkit as JSFX plugins”, Ideas Sónicas/Sonic Ideas, vol 8, no. 16., CMMAS, Morelia, Mexico. ISSN:2317-9694. pp. 9-19 |
Publications |
3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Signal Processing, Electro-acoustic Music, Electronic Media |
| T. Lossius & J. Anderson (2016): “ATK Reaper: Una versión en Plugin JSFX del Ambisonic Toolkit”, (Traducción al Español de Lucas Samaruga) Ideas Sónicas/Sonic Ideas, año 8, no. 16., CMMAS, Morelia, Mexico. ISSN:2317-9694. pp. 20-31 |
Publications |
3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Electronic Media |
| Pampin, Juan. "Percussion Cycle, Les Percussions de Strasbourg". Sargasso Records, 2016. CD. |
Publications, Recordings |
3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Spectral Modeling |
| T. Lossius & J. Anderson (2014): ATK Reaper: The Ambisonic Toolkit as JSFX plugins. Proceedings of the joint 40th International Computer Music Conference & 11th Sound and Music Computing Conference, Athens, pp. 1338-1345. |
Publications |
3D Audio, Acoustics and Psychoacoustics, Ambisonics, Computer Music, Digital Arts, Digital Signal Processing, Electro-acoustic Music, Software |
| Pampin, Juan. "Ghostly presence: Notes on the composition of OID". MusikTexte 136 (February 2013). Print. Language: German. |
Publications, Essays, Translations |
Aesthetics, Composition, Electro-acoustic Music, Ethics, Live Electronics, Music |
| Trębacz, Ewa, composer. "Interior Portrait". Dir. Robert Sowa. Animated Film Studio. Jan Matejko Academy of Fine Arts in Kraków, 2013. DVD. |
Publications, Film/Video |
Electro-acoustic Music, Experimental Film/Cinema, Video Art, Visual Arts |
| Trębacz, Ewa. Polish Music Today. Portraits of Contemporary Polish Composers: Ewa Trębacz. Polmic, 2013. CD. |
Publications, CD/Audio, Recordings |
3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media |
| Pampin, Juan. "On Space". Les Percussions de Strasbourg 50th Anniversary Edition CD Box. Universal France, 2012. CD. |
Publications, Recordings |
3D Audio, Ambisonics, Composition, Digital Signal Processing, Electro-acoustic Music, Immersive Media, Sound Synthesis, Spectral Modeling |
| Trębacz, Ewa. "Depth Modulation: Composing Motion in Immersive Audiovisual Spaces". Organised Sound 17.2 (2012): 156-162. Print. |
Publications, Essays |
3D Audio, 3D Video and Animation, Art/Science, Immersive Media, Perception and Cognition, Video Art, Visual Arts |
Trębacz, Ewa. "Modulation des Raumes: auf der Suche nach der Sprache eines immersiven Mediums" Glissando 19 (2011): 72-76. Print.
Language: German. |
Publications, Essays |
3D Audio, 3D Video and Animation, Ambisonics, Immersive Media |
Trębacz, Ewa. "Pełna imersja: rzeczywistość czy utopia? Technologie przestrzenne z punktu widzenia artysty." ["Full immersion: reality or utopia? Artist's perspective on spatial technologies."] Glissando 16 (2010): 44-48. Print.
Language: Polish. |
Publications, Essays |
3D Audio, 3D Video and Animation, Ambisonics, Immersive Media |
| Basso, Gustavo, Juan Pampin, and Pablo Oscar Di Liscia, eds. Música y espacio: Ciencia, tecnología y estética. Buenos Aires: Editorial Universidad Nacional de Quilmes, 2009. Print. |
Publications, Books, Editions, Essays |
Acoustics and Psychoacoustics, Aesthetics, Ambisonics, Composition, Computer Music, Digital Signal Processing |
| Trębacz, Ewa. "Errai". Perf. Josiah Boothby and Anna Niedźwiedź. Rec. Joseph Anderson. Sound Chronicle of the Warsaw Autumn 2009. Polmic, 2009. CD. |
Publications, CD/Audio, Recordings |
Ambisonics, Composition, Electro-acoustic Music |
| Pampin, Juan. "Nada". Melia Watras, Prestidigitation. Fleur De Son Classics, 2008. CD. |
Publications, CD/Audio |
Composition, Digital Signal Processing, Live Electronics, Music, Sound Synthesis, Spectral Modeling |
