| "Sequence". Dir. Robert Sowa, photography Marcin Koszałka, music Ewa Trębacz. Action Animation - The Most Recent Films. National Audiovisual Institute NInA (Poland), 2008. DVD. |
Publications, Film/Video |
Composition, Electro-acoustic Music, Experimental Film/Cinema, Video Art, Visual Arts |
| Pampin, Juan, Joel S. Kollin, and Eunsu Kang. "Applications of Ultrasonic Sound Beams in Performance and Sound Art". Proceedings of the joint 33rd International Computer Music Conference, Copenhagen, Denmark, (2007): 492-495. Print. |
Publications, Essays |
Aesthetics, Digital Signal Processing, Installation, Interactive Media, Sound Art, Ultrasound |
| Pampin, Juan. "Métal Hurlant". Juanjo Guillem, Sólo Percusión. SC Records, 2007. CD. |
Publications, CD/Audio |
Composition, Digital Signal Processing, Live Electronics, Music, Spectral Modeling |
| Pampin, Juan. "OID". Susana Kasakoff, Piano Ex Machina. BAU Records, 2007. CD. |
Publications, CD/Audio |
Composition, Digital Signal Processing, Live Electronics, Music, Sound Synthesis, Video Art |
| Pampin, Juan. "Ética, Poética, Política: Apuntes sobre la composición de OID". Nuevas Poéticas de la Música Contemporánea Argentina. Ed. Pablo Fessel. Buenos Aires: Biblioteca Nacional Argentina, 2007. 245-253. Print. |
Publications, Books, Essays |
Aesthetics, Composition, Ethics, Live Electronics, Music, Video Art |
| Trębacz, Ewa. "Things lost things invisible". Perf. Josiah Boothby, Toby Penk, Colby Wiley, and K.Szymanowski Academic Symphony Orch. Cond. Arturo Tamayo and Szymon Bywalec. Sound Chronicle of the Warsaw Autumn 2007. Polmic, 2007. CD. |
Publications, CD/Audio, Recordings |
Ambisonics, Composition, Electro-acoustic Music |
| Trębacz, Ewa. "Minotaur". Perf. Henryk Kaliński and Josiah Boothby. Sound Chronicle of the Warsaw Autumn 2005. Polmic, 2005. CD. |
Publications, CD/Audio, Recordings |
Ambisonics, Composition, Electro-acoustic Music |
| IMU-based Human movement recognition using MINIROCKET and application in Dance performance |
Technology, Publications, Articles, Projects |
Human-computer Interaction, Interactive Media, Machine Learning, Sensing, Wearable Computing |
![A person stands in silhouette between two large monitors in a dark gallery space. The left screen displays an animated guinea pig with a human face embedded into its head. The right screen shows a bright virtual field under a blue sky. Subtitles at the bottom read “[transforming into a guinea pig],” indicating the narrative or interactive transformation taking place.](/sites/dxarts/files/styles/square_small/public/images/representative%20image.jpg?itok=Hahs3Mer "The Guinea Pig Eligibility Test")
