Essays

ISWC '21: Proceedings of the 2021 ACM International Symposium on Wearable ComputersSeptember 2021Pages 211–215https://doi.org/10.1145/3460421.3478833

Desjardins, Audrey and Psarra, Afroditi and Whiting, Bonnie. 2021. Voices and Voids: Subverting Voice Assistant Systems through Performative Experiments. In Creativity and Cognition (C&C '21). Association for Computing Machinery, New York, NY, USA, Article 29, 1–10. DOI: https://doi.org/10.1145/3450741.3466807

Pampin, Juan. "Ghostly presence: Notes on the composition of OID". MusikTexte 136 (February 2013). Print. Language: German.

Trębacz, Ewa. "Modulation des Raumes: auf der Suche nach der Sprache eines immersiven Mediums" Glissando 19 (2011): 72-76. Print.
Language: German.

Trębacz, Ewa. "Pełna imersja: rzeczywistość czy utopia? Technologie przestrzenne z punktu widzenia artysty." ["Full immersion: reality or utopia? Artist's perspective on spatial technologies."] Glissando 16 (2010): 44-48. Print.
Language: Polish.

Basso, Gustavo, Juan Pampin, and Pablo Oscar Di Liscia, eds. Música y espacio: Ciencia, tecnología y estética. Buenos Aires: Editorial Universidad Nacional de Quilmes, 2009. Print.

Pampin, Juan, Joel S. Kollin, and Eunsu Kang. "Applications of Ultrasonic Sound Beams in Performance and Sound Art". Proceedings of the joint 33rd International Computer Music Conference, Copenhagen, Denmark, (2007): 492-495. Print.

Pampin, Juan. "Ética, Poética, Política: Apuntes sobre la composición de OID".  Nuevas Poéticas de la Música Contemporánea Argentina. Ed. Pablo Fessel. Buenos Aires: Biblioteca Nacional Argentina, 2007. 245-253. Print.