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Sensing Textures: Tactile Resistance |
Sadaf Sadri, Afroditi Psarra, Esteban Agosin |
E-textiles |
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Voices and Voids: Subverting Voice Assistant Systems through Performative Experiments |
Afroditi Psarra, Bonnie Whiting |
Digital Arts, Ethics, Improvisation, Internet Art, Machine Learning, Media Arts, Music, Performance Studies |
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Ghostly presence: Notes on the composition of OID |
Juan Pampin |
Aesthetics, Composition, Electro-acoustic Music, Ethics, Live Electronics, Music |
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Depth Modulation: Composing Motion in Immersive Audiovisual Spaces. |
Ewa Trębacz |
3D Audio, 3D Video and Animation, Art/Science, Immersive Media, Perception and Cognition, Video Art, Visual Arts |
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Modulation des Raumes: auf der Suche nach der Sprache eines immersiven Mediums. |
Ewa Trębacz |
3D Audio, 3D Video and Animation, Ambisonics, Immersive Media |
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Pełna imersja: rzeczywistość czy utopia? [Full immersion: reality or utopia?] |
Ewa Trębacz |
3D Audio, 3D Video and Animation, Ambisonics, Immersive Media |
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Musica y espacio: Ciencia, tecnologia y estetica |
Juan Pampin |
Acoustics and Psychoacoustics, Aesthetics, Ambisonics, Composition, Computer Music, Digital Signal Processing |
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Applications of Ultrasonic Sound Beams in Performance and Sound Art |
Juan Pampin, Eunsu Kang |
Aesthetics, Digital Signal Processing, Installation, Interactive Media, Sound Art, Ultrasound |
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Etica, Poetica, Politica: Apuntes sobre la composicion de OID |
Juan Pampin |
Aesthetics, Composition, Ethics, Live Electronics, Music, Video Art |