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3D Audio
Related Faculty
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Professor (Chair, DXARTS), Adjunct Professor, School of Music, Adjunct Professor, Department of Electrical & Computer Engineering
Latest News
- Joseph Anderson's Mpingo at Park Sounds (June 21, 2019)
- Joseph Anderson's Pacific Slope at Stanford University (March 9, 2015)
- DXARTS at Semana del Sonido in Rosario, Argentina (June 16, 2014)
- Music of Today: Experimental Improvised Music in 3D (June 16, 2014)
Past Events
Research
- Umbrae, Ambisonic soundscape, Ewa Trębacz (2023)
- if i keep recalling it, something had to change... for drums and electronics, 2022
- Realidad Mutada, Nicolás Kisic Aguirre, 2022
- a_voi(ce)_d, 2021
- Metanoia, concerto for violin, string orchestra and surround sound, Ewa Trębacz (2020)
- Inanna Descending, for Ambisonic sound and variable ensemble, Ewa Trębacz (2019)
- Low-cost Ambisonic Mic, Rihards Vitols, 2019
- silent forest, installation at Bradbury Art Museum, Adam Hogan, 2017
- J. Anderson (2016): Ambisonics & the ATK @ DXARTS. Presented at the Pacific Northwest AES Section Meeting (Nov 2017), Seattle.
- T. Lossius & J. Anderson (2016): “ATK Reaper: The Ambisonic Toolkit as JSFX plugins”, Ideas Sónicas/Sonic Ideas, vol 8, no. 16., CMMAS, Morelia, Mexico. ISSN:2317-9694. pp. 9-19
- T. Lossius & J. Anderson (2016): “ATK Reaper: Una versión en Plugin JSFX del Ambisonic Toolkit”, (Traducción al Español de Lucas Samaruga) Ideas Sónicas/Sonic Ideas, año 8, no. 16., CMMAS, Morelia, Mexico. ISSN:2317-9694. pp. 20-31
- Ligeia, for invisible soprano, ensemble and surround sound, Ewa Trębacz (2016)
- prosthesis memoria for two performers and EEG by: Daniel Peterson and Adam Hogan, 2016
- Pampin, Juan. "Percussion Cycle, Les Percussions de Strasbourg". Sargasso Records, 2016. CD.
- A Line, for 3D electronic sounds, Juan Pampin (2015)
- T. Lossius & J. Anderson (2014): ATK Reaper: The Ambisonic Toolkit as JSFX plugins. Proceedings of the joint 40th International Computer Music Conference & 11th Sound and Music Computing Conference, Athens, pp. 1338-1345.
- Horizon is an Imaginary Line, Light and Sound Installation
- Trębacz, Ewa. Polish Music Today. Portraits of Contemporary Polish Composers: Ewa Trębacz. Polmic, 2013. CD.
- ANC'L'SUNR, for symphony orchestra and 3D electronic sound, Ewa Trębacz (2013)
- Pampin, Juan. "On Space". Les Percussions de Strasbourg 50th Anniversary Edition CD Box. Universal France, 2012. CD.
- Trębacz, Ewa. "Depth Modulation: Composing Motion in Immersive Audiovisual Spaces". Organised Sound 17.2 (2012): 156-162. Print.
- Swarm of Echoes, for 3D Computer-realized Sound, Daniel Peterson, 2011
- Trębacz, Ewa. "Modulation des Raumes: auf der Suche nach der Sprache eines immersiven Mediums" Glissando 19 (2011): 72-76. Print. Language: German.
- Trębacz, Ewa. "Pełna imersja: rzeczywistość czy utopia? Technologie przestrzenne z punktu widzenia artysty." ["Full immersion: reality or utopia? Artist's perspective on spatial technologies."] Glissando 16 (2010): 44-48. Print. Language: Polish.
- Errai. Immersive Audiovisual Space, for horn, soprano, and audiovisual immersive media, Ewa Trębacz (2009)
- things lost things invisible, for Ambisonic space and orchestra, Ewa Trębacz (2007)
- On Space, for percussion sextet and 3D electronic sound, Juan Pampin (2005)
- Minotaur, for horn and surround sound, Ewa Trębacz (2005, revised 2011)
- Steilacoom, for computer realized ambisonic sound, Daniel Peterson, 2016
- Container Study, 3D Sound Installation, Daniel Peterson, 2015
- Full Citation here
- Ambisonics and 3-D Audio Playback Systems
- Ambisonic Toolkit (ATK)