Recordings

  • Satellite transmission audio recording at The Wassaic Project, NY
    Listening Space, Afroditi Psarra & Audrey Briot (2019/20)
  • Lineage 1
    Breana Tavaglione, Lineage 1Iterations presented by DXARTS at The Chapel at the Good Shepherd Center in Seattle, Washington, 21 March 2019.
  • Sound Chronicle of the Warsaw Autumn 2005
    Trębacz, Ewa. "Minotaur"Perf. Henryk Kaliński and Josiah Boothby. Sound Chronicle of the Warsaw Autumn 2005. Polmic, 2005. CD.
  • NFM Leopoldinum Orchestra, Christian Danowicz - conductor, Adam Bałdych - violin | Photo credit: WARSAW AUTUMN
    Metanoia, concerto for violin, string orchestra and surround sound, Ewa Trębacz (2020)
  • Lineage 1
    Breana Tavaglione, Lineage 1Iterations presented by DXARTS at The Chapel at the Good Shepherd Center in Seattle, Washington, 21 March 2019.
  • stave drum construction
    Electro-Steel by Cameron Perry Fraser - Autum 2018.

Ongoing

Image Short Title People Involved Related Fields
Iterations presented by DXARTS at The Chapel at the Good Shepherd Center in Seattle, Washington Lineage 1 (2019) Adviser(s): Afroditi Psarra Composition, Data Sonification, Electro-acoustic Music, Experimental Media, History, Music, Performance Studies, Sound Art
Naga is a electric metallophone instrument Naga (2017) Cameron Fraser Acoustics and Psychoacoustics, Composition, Electro-acoustic Music, Electronic Media, Improvisation, Music, Sound Art
Satellite transmission machine knitting Listening Space (Ongoing) Afroditi Psarra Art/Science, Digital Fabrication, Environmental Art, Experimental Media, Immersive Media, Perception and Cognition, Science and Technology, Sensing

In progress

Image Short Title People Involved Related Fields
Large String Array (2020) Cameron Fraser
Adviser(s): Juan Pampin, Afroditi Psarra
Acoustics and Psychoacoustics, Aural Architecture, Electro-acoustic Music, Environmental Art, Immersive Media, Installation, Mechatronic Art, Sound Art
Seattle Tape Player Array Seattle Tape Player Array (2018) Cameron Fraser Computer Music, Improvisation, Robotics, Sensing
CAD rendition of Nandi, an automated electromagnetic stringed instrument Electro-Steel (2018) Cameron Fraser Acoustics and Psychoacoustics, Electro-acoustic Music, Improvisation, Interactive Media, Live Electronics, Music, Robotics, Sound Art

Completed/published

Image Short Title People Involved Related Fields
Adam Bałdych, violin | Photo credit: WARSAW AUTUMN Metanoia (2020) Ewa Trębacz 3D Audio, Ambisonics, Composition, Computer Music, Electro-acoustic Music, Improvisation, Music
Lineage 1 Lineage 1 (2019) Breana Tavaglione
Adviser(s): Afroditi Psarra
Data Sonification, Electro-acoustic Music, Experimental Media, History, Music, Performance Studies, Sound Art
cover of the net release <abc_null> <abc_null> [net release] (2018) Afroditi Psarra, Bonnie Whiting, Cameron Fraser, Michael McCrea Electro-acoustic Music, Experimental Media, Improvisation, Live Electronics, Physical Computing, Sound Art
Juan Pampin, Percussion Cycle Percussion Cycle,  Les Percussions de Strasbourg [CD] (2016) Juan Pampin, Joseph Anderson 3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Spectral Modeling
Portraits of Contemporary Polish Composers: Ewa Trębacz Polish Music Today: Ewa Trębacz [CD] (2013) Ewa Trębacz, Joseph Anderson 3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media
Les Percussions de Strasbourg 50th Anniversary CD Box On Space [CD] (2012) Juan Pampin, Joseph Anderson 3D Audio, Ambisonics, Composition, Digital Signal Processing, Electro-acoustic Music, Immersive Media, Sound Synthesis, Spectral Modeling
Sound Chronicle of the Warsaw Autumn 2009 Errai [CD] (2009) Ewa Trębacz, Joseph Anderson Ambisonics, Composition, Electro-acoustic Music
Sound Chronicle of the Warsaw Autumn 2007 things lost things invisible [CD] (2007) Ewa Trębacz Ambisonics, Composition, Electro-acoustic Music
Sound Chronicle of the Warsaw Autumn 2005 Minotaur [CD] (2005) Ewa Trębacz Ambisonics, Composition, Electro-acoustic Music