
Contact Information
Fields of Interest
Biography
Joseph Anderson is a composer with a particular interest in the development of a spatio-musical practice of sound composition and performance. This work is focused on acousmatic music created through self-authored tools and signal processing algorithms. He is the lead author of the Ambisonic Toolkit which brings many of these advanced spatial techniques to a wider audience of artists and composers.
As a former member of Britain's Birmingham ElectroAcoustic Sound Theatre (BEAST) Anderson set up the San Francisco Tape Music Collective (SFTMC) with Matt Ingalls to bring the practice of sound diffusion to public performances in the San Francisco Bay Area. And, through the SFTMC Anderson continues to programme and perform on the The San Francisco Tape Music Festival. Recognitions for his compositional efforts have included the “Grand Prix” from the 1997 Bourges Electroacoustic Music Competition for Change’s Music.
Having been employed in a wide variety of contexts, Anderson has experience in both industry and academia. He has worked as a DSP engineer in Silicon Valley at Analog Devices and in the United Kingdom as a Lecturer at the University of Hull and University of Kent. Anderson studied Computer Music with Russell Pinkston at the University of Texas, and completed postgraduate studies in Music Composition (MMus, PhD) with Jonty Harrison at the University of Birmingham, UK.
Research
Selected Research
- J. Anderson (2016): Ambisonics & the ATK @ DXARTS. Presented at the Pacific Northwest AES Section Meeting (Nov 2017), Seattle. Download PDF
- T. Lossius & J. Anderson (2016): “ATK Reaper: The Ambisonic Toolkit as JSFX plugins”, Ideas Sónicas/Sonic Ideas, vol 8, no. 16., CMMAS, Morelia, Mexico. ISSN:2317-9694. pp. 9-19
- T. Lossius & J. Anderson (2016): “ATK Reaper: Una versión en Plugin JSFX del Ambisonic Toolkit”, (Traducción al Español de Lucas Samaruga) Ideas Sónicas/Sonic Ideas, año 8, no. 16., CMMAS, Morelia, Mexico. ISSN:2317-9694. pp. 20-31
- Pampin, Juan. "Percussion Cycle, Les Percussions de Strasbourg". Sargasso Records, 2016. CD.
- T. Lossius & J. Anderson (2014): ATK Reaper: The Ambisonic Toolkit as JSFX plugins. Proceedings of the joint 40th International Computer Music Conference & 11th Sound and Music Computing Conference, Athens, pp. 1338-1345.
- Experimental Improvised Music in 3D (performance), 2014
- Trębacz, Ewa. Polish Music Today. Portraits of Contemporary Polish Composers: Ewa Trębacz. Polmic, 2013. CD.
- Pampin, Juan. "On Space". Les Percussions de Strasbourg 50th Anniversary Edition CD Box. Universal France, 2012. CD.
- Trębacz, Ewa. "Errai". Perf. Josiah Boothby and Anna Niedźwiedź. Rec. Joseph Anderson. Sound Chronicle of the Warsaw Autumn 2009. Polmic, 2009. CD.
- Ambisonics and 3-D Audio Playback Systems
- Ambisonic Toolkit (ATK)
Research Advised
- a_voi(ce)_d, 2021
- Low-cost Ambisonic Mic, Rihards Vitols, 2019
- prosthesis memoria for two performers and EEG by: Daniel Peterson and Adam Hogan, 2016
- Steilacoom, for computer realized ambisonic sound, Daniel Peterson, 2016
- a Box, a sound Installation, Haein Kang, 2015
- Container Study, 3D Sound Installation, Daniel Peterson, 2015
- Kinetic immersive sound installation, Eleanor Jones, 2021