Creative Work

  • Corridor Scene (second floor), Memoir II, 2016
    Jarmick, Martin.  Memoir II.  Center for Digital Art & Experimental Media (DXARTS).  2016.
  • prosthesis memoria, photo courtesy of: Isaiah Brookshire, University of Washington College of Arts and Sciences
    prosthesis memoria for two performers and EEG by: Daniel Peterson and Adam Hogan, 2016
  • Venue: Sullivan Gallery, Chicago Media: Participatory Performance, Facetime application, Twitter Developer, Processing programing, Arduino Xbee, Wearable technology, SoundDuration: 4 hours
  • Tivon Rice Site Machines
    Site Machines by Tivon Rice - Site Specific Multimedia Installation at Seattle’s Suyama Space - Live video, neon, kinetic sculpture, and sound
  • Ligeia | Recording session in Fort Worden, Washington
    Ligeia, for invisible soprano, ensemble and surround sound, Ewa Trębacz (2016)
  • On Space by Juan Pampin
    On Space, for percussion sextet and 3D electronic sound, Juan Pampin (2005)

Completed/published

Image Short Title People Involved Related Fields
Horizon is an Imaginary Line Horizon is an Imaginary Line (2013) Maja Petrić, Daniel Peterson 3D Audio, Ambisonics, Digital Arts, Immersive Media, Sound Art, Video Art, Visual Arts
Searle's Room (2013) Robert Twomey
Adviser(s): James Coupe, Juan Pampin, Richard Karpen
Installation, Mechatronic Art, Robotics, Sound Synthesis, Speech Recognition and Synthesis, Systems
Face Swap (2013) Robert Twomey
Adviser(s): James Coupe
Computer Vision, Digital Arts, Interactive Media, Video Art
Pointless, participatory performace (2013) Chun Shao Haptics, Interactive Media, Performance Studies, Programming, Sensing, Surveillance and Privacy
Between This Image (2013) Martin Jarmick Experimental Film/Cinema, Experimental Media, Installation, Perception and Cognition, Video Art, Visual Arts
Polish Radio Symphony Orchestra | Marek Moś, conductor ANC'L'SUNR (2013) Ewa Trębacz 3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Music
Sanctum (Photo Credit: RJ Sánchez | Solstream Studios) Sanctum (2013) Juan Pampin, James Coupe Algorithmic Processes, Computer Vision, Interactive Media, Site Specific Art, Sound Art, Systems, Ultrasound, Video Art
Interstices by Juan Pampin, JACK Quartet Interstices (Layer II) (2012) Juan Pampin Composition, Digital Signal Processing, Live Electronics, Music, Spectral Modeling
Arcade Zero (2012) Tivon Rice
Adviser(s): Juan Pampin, James Coupe, Paul Berger
Electronic Media, Immersive Media, Installation, Mechatronic Art, Robotics, Video Art, Visual Arts
Solipsist (2012) Robert Twomey Human-computer Interaction, Installation, Interactive Media, New Media, Speech Recognition and Synthesis, Systems
Mother (2012) Inmi Lee 3D Scanning and Printing, Installation, New Media, Visual Arts
Swarm of Echoes (2011) Daniel Peterson
Adviser(s): Juan Pampin
3D Audio, Ambisonics, Composition, Computer Music, Digital Signal Processing, Electro-acoustic Music, Sound Synthesis, Spectral Modeling
Nanovibrancy (2011) Joel Ong Biological Art, Cybernetics, Data Sonification, Science and Technology, Sensing, Sound Art
Errai, by Ewa Trębacz. | Documentation video still. Errai (2009) Ewa Trębacz
Adviser(s): Juan Pampin
3D Audio, 3D Video and Animation, Ambisonics, Immersive Media, Perception and Cognition, Site Specific Art, Video Art, Visual Arts
Entanglement Entanglement (2008) Juan Pampin, Eunsu Kang Ambisonics, Immersive Media, Installation, Sound Art, Telematics, Ultrasound
Sequence, dir. Robert Sowa, photography Marcin Koszałka, music Ewa Trębacz | Animation still Sequence, dir. Robert Sowa [DVD] (2008) Ewa Trębacz Composition, Electro-acoustic Music, Experimental Film/Cinema, Video Art, Visual Arts
Arturo Tamayo, Szymon Bywalec and K.Szymanowski Academic Symphony Orchestra at Warsaw Autumn 2007 things lost things invisible (2007) Ewa Trębacz 3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Music
On Space by Juan Pampin On Space (2005) Juan Pampin 3D Audio, Ambisonics, Composition, Digital Signal Processing, Electro-acoustic Music, Immersive Media, Sound Synthesis, Spectral Modeling
Josiah Boothby and Ewa Trebacz Minotaur (2005) Ewa Trębacz
Adviser(s): Juan Pampin
3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Improvisation, Music

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