|
|
Swarm of Echoes |
Daniel Peterson |
3D Audio, Ambisonics, Composition, Computer Music, Digital Signal Processing, Electro-acoustic Music, Sound Synthesis, Spectral Modeling |
 |
Nanovibrancy |
Joel Ong |
Biological Art, Cybernetics, Data Sonification, Science and Technology, Sensing, Sound Art |
 |
Errai |
Ewa Trębacz |
3D Audio, 3D Video and Animation, Ambisonics, Immersive Media, Perception and Cognition, Site Specific Art, Video Art, Visual Arts |
 |
Entanglement |
Juan Pampin, Eunsu Kang |
Ambisonics, Immersive Media, Installation, Sound Art, Telematics, Ultrasound |
 |
things lost things invisible |
Ewa Trębacz |
3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Music |
 |
On Space |
Juan Pampin |
3D Audio, Ambisonics, Composition, Digital Signal Processing, Electro-acoustic Music, Immersive Media, Sound Synthesis, Spectral Modeling |
 |
Minotaur |
Ewa Trębacz |
3D Audio, Ambisonics, Composition, Electro-acoustic Music, Immersive Media, Improvisation, Music |
 |
Death Valley |
Eleanor Jones |
Algorithmic Processes, Data Sonification, History, Installation, Video Art |
 |
Embodied RF Ecologies |
Afroditi Psarra |
Art/Science, Digital Fabrication, Environmental Art, Experimental Media, Immersive Media, Physical Computing, Sensing, Sound Art |
