| Author/Title |
Research Type |
Related Fields |
| Pampin, Juan. "Ghostly presence: Notes on the composition of OID". MusikTexte 136 (February 2013). Print. Language: German. |
Publications, Essays, Translations |
Aesthetics, Composition, Electro-acoustic Music, Ethics, Live Electronics, Music |
| Basso, Gustavo, Juan Pampin, and Pablo Oscar Di Liscia, eds. Música y espacio: Ciencia, tecnología y estética. Buenos Aires: Editorial Universidad Nacional de Quilmes, 2009. Print. |
Publications, Books, Editions, Essays |
Acoustics and Psychoacoustics, Aesthetics, Ambisonics, Composition, Computer Music, Digital Signal Processing |
| Pampin, Juan, Joel S. Kollin, and Eunsu Kang. "Applications of Ultrasonic Sound Beams in Performance and Sound Art". Proceedings of the joint 33rd International Computer Music Conference, Copenhagen, Denmark, (2007): 492-495. Print. |
Publications, Essays |
Aesthetics, Digital Signal Processing, Installation, Interactive Media, Sound Art, Ultrasound |
| Pampin, Juan. "Ética, Poética, Política: Apuntes sobre la composición de OID". Nuevas Poéticas de la Música Contemporánea Argentina. Ed. Pablo Fessel. Buenos Aires: Biblioteca Nacional Argentina, 2007. 245-253. Print. |
Publications, Books, Essays |
Aesthetics, Composition, Ethics, Live Electronics, Music, Video Art |
![Animated Film Studio, Academy of Fine Arts in Kraków, 2013 [DVD]](/sites/dxarts/files/styles/square_small/public/images/animated_film_studio.jpg?itok=3Z75ShnQ "Animated Film Studio, Academy of Fine Arts in Kraków, 2013 [DVD]")
