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Joseph Anderson's Pacific Slope at Stanford University |
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"Illusion" by Haein Kang at the CODAME Art+Tech Festival in San Francisco and SIGGRAPH - Asia in Brisbane, Australia |
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Tivon Rice debuts Pattern Language 2-253 at Seattle's Bumbershoot Arts and Music Festival |
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"Wind from Nowhere", a work by DXARTS Ph.D. candidate Haein Kang, at Art in Nature Festival, Seattle |
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Silicone Love - Her Garden, by Chun Shao at Jack Straw Gallery, Sept.7-Nov.10, 2018 |
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Call for applicants: Assistant Professor in Data-Driven Arts Practice |
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Call for applicants: Assistant Professor in Experimental Art Practice |
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UW Perspectives: A Marriage of Art and Neuroscience. |
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Creativity As Research is in the News!!! |
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ATK@Notam, Oslo, Norway, October 1-5, 2018 |
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Listening to the Other, a new book by DXARTS Affiliate Faculty Stefan Östersjö |
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Natural Individuals, a Ph.D. dissertation exhibition by Yunmi Her at 4Culture Gallery, Seattle |
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The Final Image, a virtual reality installation by Martin Jarmick, at Jack Straw New Media Gallery, Seattle |
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DXARTS faculty James Coupe and Thomas Deuel in Conversation about Emerging Technologies and Performance, Town Hall Seattle |
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Ewa Trębacz awarded Listen UP! Music by Women grant from Allied Arts Foundation |
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Encephalophone paper published by Frontiers in Human Neuroscience |
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"Art and the Brain" Class Profiled in Perspectives Magazine |
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"General Intellect" by James Coupe at Kunstraum Kreuzberg, Berlin |
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"Horizon Is An Imaginary Line" At The Jones Playhouse Theatre On Monday, July 8 |
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"Imaginary Machinescapes" by Esteban Agosin at International Image Festival, Manizales, Colombia |
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"Kyai Pranaja" by Joseph Anderson at PURE Ambisonics Concert in Graz |
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"Natural Individuals" by Yunmi Her at Jack Straw Gallery, Seattle, February 14 - March 27, 2020 |
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"Public And Provocative: Sanctum At The Henry" |
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"Wind from Nowhere", a work by DXARTS Ph.D. candidate Haein Kang receives Honorary Mention at Prix Ars Electronica 2019 |
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$750,000 Mellon Foundation grant to fund research, collaboration in arts |
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