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DXARTS at CYFEST - St. Petersburg, Russia |
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'Sensing Textures: Tactile Resistance' at ACM ISWC '21: 2021 International Symposium on Wearable Computers |
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Afroditi Psarra at SLSA2021 "Energy": 34th Annual Meeting of the Society for Literature, Science and the Arts |
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DXARTS Postdoctoral Scholar Marcin Pączkowski's work at ICMC, Santiago, Chile |
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KING 5 News (NBC Seattle): Interview with DXARTS Ph.D. candidate Chanee Choi |
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WIRED: Interview with DXARTS Ph.D. candidate Chanee Choi |
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A well-earned congratulations goes out to Annie Liu!!! |
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Afroditi Psarra featured in The Contemporary Journal 'Sonic Continuum' |
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Creativity As Research is in the News!!! |
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DXARTS Assistant Professor Afroditi Psarra featured in "Handmade Electronic Music: The Art of Hardware Hacking" |
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"Voices+Voids: Reclaiming and Transcoding Our Data as Performance" featured on Seattle Channel |
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Listening to the Other, a new book by DXARTS Affiliate Faculty Stefan Östersjö |
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Seattle Times: interview with DXARTS Ph.D. candidate Chanee Choi |
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Piteå Performing Arts Biennial |
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DXARTS at ISEA 2020 |
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Interview with DXARTS Ph.D. candidate Chanee Choi at UW News |
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"Models for Environmental Literacy" by Tivon Rice at FIBER Festival Amsterdam |
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Protecting Lives with 3D Printers |
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"General Intellect" by James Coupe at Kunstraum Kreuzberg, Berlin |
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DXARTS' McMahon FabLab manager Derrick Van Kirk profiled in UW Today's article "UW’s 3D printed COVID-19 face shields: From innovation to delivery" |
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"Natural Individuals" by Yunmi Her at Jack Straw Gallery, Seattle, February 14 - March 27, 2020 |
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Voices and Voids: Reclaiming and Transcoding our Data as Performance at Adversarial Hacking in the Age of AI at Transmediale 2020 |
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Voices and Voids: Reclaiming and Transcoding our Data as Performance was shortlisted at the Open Call No. 8 by Solitude & ZKM — Engineering Care |
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Afroditi Psarra, Audrey Desjardins and Bonnie Whiting selected as Mellon Faculty Fellows for the year 2019-20 |
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Natural Individuals, a Ph.D. dissertation exhibition by Yunmi Her at 4Culture Gallery, Seattle |
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