Courses - Upcoming

For the most up-to-date information on enrollment, meeting times, and locations, please consult the UW Time Schedule.

Autumn 2015

Qtr Course Section / SLN Instructor Meetings
aut DXARTS 200: Digital Art and New Media: History, Theory, and Practice

Provides a historical and critical overview of artists and scientists pioneering the digital arts. Discusses important digital media issues from aesthetics, creative strategies, emerging trends, and socio-cultural aspirations.

VLPA
A - 13314 Ha Na Lee T Th 15:00-16:50
MGH 389
aut DXARTS 200: Digital Art and New Media: History, Theory, and Practice

Provides a historical and critical overview of artists and scientists pioneering the digital arts. Discusses important digital media issues from aesthetics, creative strategies, emerging trends, and socio-cultural aspirations.

AA - 13315 F 12:30-13:20
MGH 271
aut DXARTS 200: Digital Art and New Media: History, Theory, and Practice

Provides a historical and critical overview of artists and scientists pioneering the digital arts. Discusses important digital media issues from aesthetics, creative strategies, emerging trends, and socio-cultural aspirations.

AB - 13316 F 12:30-13:20
JHN 022
aut DXARTS 200: Digital Art and New Media: History, Theory, and Practice

Provides a historical and critical overview of artists and scientists pioneering the digital arts. Discusses important digital media issues from aesthetics, creative strategies, emerging trends, and socio-cultural aspirations.

AC - 13317 F 13:30-14:20
MGH 234
aut DXARTS 200: Digital Art and New Media: History, Theory, and Practice

Provides a historical and critical overview of artists and scientists pioneering the digital arts. Discusses important digital media issues from aesthetics, creative strategies, emerging trends, and socio-cultural aspirations.

AD - 13318 F 13:30-14:20
MGH 238
aut DXARTS 200: Digital Art and New Media: History, Theory, and Practice

Provides a historical and critical overview of artists and scientists pioneering the digital arts. Discusses important digital media issues from aesthetics, creative strategies, emerging trends, and socio-cultural aspirations.

AE - 13319 F 14:30-15:20
MGH 242
aut DXARTS 200: Digital Art and New Media: History, Theory, and Practice

Provides a historical and critical overview of artists and scientists pioneering the digital arts. Discusses important digital media issues from aesthetics, creative strategies, emerging trends, and socio-cultural aspirations.

AF - 13320 F 15:30-16:20
EEB 026
aut DXARTS 450: Digital Video Foundations

An introduction to experimental video art. Provides a theoretical and practical foundation for creating video for installation, performance, or screen. Students attend lectures and complete assignments to create original video works. Workshops include hands-on introductions to digital video production: cameras, lenses, sound, lighting, motion control, and non-linear editing.

VLPA
A - 13322 Tivon Rice T Th 09:30-11:20
RAI 129
aut DXARTS 460: Digital Sound

Foundations of digital sound for digital arts applications. Project-based course focused on creating experimental sound compositions. Overview of the history of electronic music and analysis of important works from its cannon. Acoustics, psychoacoustics and digital sound theory. Digital signal processing and recording techniques. Multi-track, recording, editing, mixing, and mastering using Digital Audio Workstations (DAW). Offered: Sp.

VLPA
A - 13324 Peterson, Daniel M M W 14:30-16:20
RAI 129
aut DXARTS 463: Advanced Digital Sound Synthesis and Processing

Advanced sound processing and synthesis techniques. Includes sound time warping; analysis-synthesis techniques; linear predictive coding; the phase vocoder; frequency-domain sound transformations; introduction to physical modeling. Prerequisite: DXARTS 462/MUSIC 402. Offered: jointly with MUSIC 403; Sp.

VLPA
A - 22369 Marcin Pączkowski T Th 14:30-17:20
RAI 205
aut DXARTS 470: Sensing and Control Systems for Digital Arts

Covers basic electronics for integrating sensors and actuators into art installations and performance. Includes real-time systems programming and design using simple software tools for controlling video and audio as well as hardware tools for data I/O to control electromechanical and sensing devices.

VLPA
A - 13326 Kang, Haein M W 09:30-11:20
* *
aut DXARTS 490: Special Topics in Digital Arts and Experimental Media: Data-driven Art

Taught by UW faculty and visiting artists, engineers, scientists, and humanities scholars.

A studio-based class in which students are introduced to making art using databases, audio/video corpuses, remote/cloud-based data and metadata. The class considers the implications and possibilities of artists using such systems, looking at dynamic, algorithmic based approaches to composing...

A - 13328 James Coupe W 11:30-14:20
RAI 221
aut DXARTS 500: Research Studio

Covers recent advances and current trends in digital arts and experimental media research. Students discuss and demonstrate their own ongoing research and creative projects. In-depth examination of new artwork and research by pioneering figures in the field. Prerequisite: DXARTS graduate student.

A - 13331 Juan Pampin Th 11:30-13:20
RAI 221
aut DXARTS 600: Independent Study or Research

Credit/no-credit only.

A - 13332 to be arranged -
* *
aut DXARTS 800: Doctoral Dissertation

At least 27 hours of dissertation credit is required for the award of a Ph.D. in Digital Arts and Experimental Media. No more than 10 credits may be taken in any quarter, except summer. Credit/no-credit only.

A - 13333 to be arranged -
* *